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  1. Exhibiting with the Impressionists, as they were formally named at the time of their independent exhibition in Paris in 1874, Sisley enjoyed short-lived but considerable success during the 1870’s. While residing in Sèvres with his wife and children, Sisley painted this view of a curved pathway lined with chestnut trees in full bloom.

  2. New York. Paul Rosenberg & Co. "Loan Exhibition of Paintings by Alfred Sisley, 1839–1899," October 30–November 25, 1961, no. 12 (lent by Mr. and Mrs. Richard Rodgers). Fort Lauderdale. Museum of Art. "Corot to Cézanne: 19th Century French Paintings from The Metropolitan Museum of Art," December 22, 1992–April 11, 1993, no catalogue.

  3. Hace 6 días · Alfred Sisley 1839-1899. Impressionist landscape painter, born in Paris of expatriate English parents (but had a French grandmother). Was sent to London for four years to prepare for a commercial career. Then turned to painting and in 1862 entered the studio of Gleyre, where he met Renoir, Monet and Bazille. He and his friends left about five ...

  4. Daulte, François, Alfred Sisley : catalogue raisonné de l’oeuvre peint, Lausanne, Durand-Ruel, 1959, n° 282 Compin, Isabelle ; Roquebert, Anne, Catalogue sommaire illustré des peintures du Musée du Louvre et du Musée d'Orsay , Paris, Réunion des musées nationaux, 1986, vol.4, p. 218

  5. Alfred Arthur Sisley (* 30. Oktober 1839 in Paris; † 29. Januar 1899 in Moret-sur-Loing) war ein Maler des Impressionismus. Sisley kam in Frankreich als Sohn englischer Kaufleute zur Welt. Sein Vater machte ein Vermögen im Handel mit Südamerika.

  6. 8 de mar. de 2022 · Alfred Sisley (1839-1899) - La petite place, la rue du village - ABDAG000505 - Aberdeen Art Gallery.jpg 1,000 × 762; 132 KB Alfred Sisley - Molesey Weir, Hampton Court - NG 2235 - National Galleries of Scotland.jpg 600 × 448; 55 KB

  7. Avenue of Chestnut Trees Near La Celle-Saint-Cloud illustrates a hunting trail leading through a heavily shaded forest close to the village of La Celle. Sisley painted this subject two times before, in 1865. This painting's subject matter and intense color are reminiscent of the Barbizon school.