Resultado de búsqueda
Hace 16 horas · He also received crucial help from his University Players friend Margaret Sullavan, who campaigned for him to be her leading man in the Universal romantic comedy Next Time We Love (1936), filmed right after Rose Marie.
Hace 2 días · (She’s reminiscent of the girl Margaret Sullavan played in The Shop Around the Corner.) She’s a phony (Tony spots that), but with a drive inside her that isn’t phony (he spots that, too). As the role is written, this girl is split into so many pieces she doesn’t come across as one person; you like her and you don’t, and back and forth.
Hace 1 día · Sullavan had a brief career and a tragic life, and was also a highlight of "The Mortal Storm" with Stewart in the same year. The Thief of Baghdad - This is the lone non-American film on this list for this year, a big budget Alexander Korda adventure spectacular that I consider the best of these "Arabian Night" style fantasy pastiches.
Hace 2 días · 24 May, 2024 Simón Valcárcel Martínez. Alice MUNRO – «La suerte de Simon». Rose se siente sola cuando llega a un sitio nuevo; echa de menos las invitaciones. Sale y recorre las calles mirando por las ventanas iluminadas las fiestas que hay en todas partes el sábado por la noche, las cenas en familia del domingo.
Hace 1 día · It’s too bad we’ll never get to see Joseph Cotten and Margaret Sullavan as Linus and Sabrina, because their dynamic seems a lot more organic than Audrey and Humphrey Bogart’s. But this movie is just too delightful. My Fair Lady (1964) dir. George Cukor
Hace 5 días · Margaret Sullavan short but interesting Hollywood career. A rising star in the 1930s, she appeared in such films as 'Only Yesterday' and 'The Mortan Storm'. After failed marriages with Henry Fonda and director William Wyler, Sullavan was married to agent Leland Hayward and had several children.
Hace 16 horas · Gone were the big ambitions, and though Universal had a few big names under contract, those it had been cultivating, like William Wyler and Margaret Sullavan, left. Meanwhile, producer Joe Pasternak, who had been successfully producing light musicals with young sopranos for Universal's German subsidiary, repeated his formula in the United States.
