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  1. Jūzō Itami (伊丹十三 'Itami Jūzō'?) (* 15 de mayo de 1933; † 20 de diciembre de 1997). Nombre real, Yoshihiro Ikeuchi. Actor y director de cine japonés, nacido en la Ciudad de Matsuyama, en la Prefectura de Ehime . Biografía. Nace en Kioto en el Japón de la posguerra.

  2. en.wikipedia.org › wiki › Juzo_ItamiJuzo Itami - Wikipedia

    Juzo Itami (伊丹 十三, Itami Jūzō), born Yoshihiro Ikeuchi (池内 義弘, Ikeuchi Yoshihiro, May 15, 1933 – December 20, 1997), was a Japanese actor, screenwriter and film director. He directed eleven films (one short and ten features), all of which he wrote himself.

  3. www.imdb.com › name › nm0411631Jûzô Itami - IMDb

    Jûzô Itami (1933-1997) Actor. Writer. Director. IMDbPro Starmeter See rank. A tragic end belies a life led with purpose. The son of a successful filmmaker, Juzo Itami made his name acting in television and films before making a late career shift into screenwriting and directing at age 50.

  4. 11 de may. de 2024 · Itami Jūzō (born May 15, 1933, Kyōto, Japan—died Dec. 20, 1997, Tokyo) was a Japanese film director and screenwriter. He had a successful 20-year career as an actor in films such as 55 Days at Peking (1963), an American vehicle, before venturing into directing.

  5. Jūzō Itami (1933 - 1997) fue un actor y director de Japón conocido por Tampopo, Dulce hogar (Sweet Home), El funeral, La inspectora, Supermarket Woman, Minbo: El arte de la extorsión, The Family Game, Lady Snowblood 2: Love Song of Vengeance, A Quiet Life y El regreso de la inspectora.

  6. Directed by Juzo Itami. Maverick director Juzo Itami didn’t direct his first feature—the alternately bawdy and bittersweet satire THE FUNERAL—until the age of fifty, but it announced the arrival of a fully formed sensibility unafraid of skewering the most sensitive aspects of Japanese society.

  7. Biography. Jūzō Itami (1933–1997) was a Japanese actor and, later, a popular modern screenwriter and film director. Many critics came to regard him as Japan's greatest director since Akira Kurosawa. His ten feature-length movies and one short film, all of which he wrote himself, are comic satires on elements of Japanese culture.