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7 de jun. de 2017 · We are thrilled to announce the recent upload of one of our best-loved (and most-requested) medieval manuscripts to our Digitised Manuscripts site; Christine de Pizan’s Book of the Queen ( Harley MS 4431) is now online! Detail of a miniature of Christine de Pizan in her study at the beginning of the ‘Cent balades’, Harley MS 4431, f. 4r.
The Writings of Christine de Pizan, selected and edited by Charity Cannon Willard, New York, Persea Books, 1994, xv + 384 p. Christine de Pizan, The Book of the City of Ladies and Other Writings, edited, with an introduction, by Sophie Bourgault and Rebecca Kingston; translated by Ineke Hardy, Indianapolis et Cambridge, Hackett (Hackett Classics), 2018, 304
The Book of the City of Ladies and Other Writings Christine de Pizan. Translated by Ineke Hardy and edited by Sophie Bourgault and Rebecca Kingston. Indianapolis, Ind.: Hackett, 2018 (ISBN 13: 978-1-62466-729-9) - Volume 36 Issue 4
Christine de Pizan (1364-1429?) was France's first professional woman of letters. She wrote more than twenty distinguished works, most concerning the political life of France or the defense of women. Persea features a series of her critical translations, which includes The Book of the City of Ladies, A Medieval Woman's Mirror of Honor: The Treasury of the City of Ladies, and Selected Writings ...
The goal of the Christine de Pizan Digital Scriptorium is to create an online library of all manuscripts containing the works by this author. We currently have digital surrogates of 56 of her works’ manuscripts, which represent the collection held at the BnF consortium, and our collection continues to grow. You can explore these manuscripts ...
Le Ditie de Jehanne d'Arc ( "The Tale of Joan of Arc", sometimes called "The Song of Joan of Arc") is a patriotic lyrical verse, and the last work of the medieval French poet Christine de Pizan, who lived from 1364 to about 1430 AD. Earlier in her career Pizan wrote many texts including The Book of the City of Ladies which included tales about ...
On 1 February of that year, Christine put the finishing touches on a small collection of documents which she addressed to Isabeau de Bavière, Queen of France, and Guillaume de Tignonville, Provost of Paris, for their scrutiny and, it was hoped, favourable judgment.
