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Fellini 8½ es una película dirigida por Federico Fellini con Marcello Mastroianni, Claudia Cardinale, Anouk Aimée, Sandra Milo .... Año: 1963. Título original: 8½ (Otto e mezzo). Sinopsis: Después de obtener un éxito rotundo, un director de cine atraviesa una crisis de creatividad e intenta inútilmente hacer una nueva película.
17 de nov. de 2023 · Guido Anselmi, a film director, finds himself creatively barren at the peak of his career. Urged by his doctors to rest, Anselmi heads for a luxurious resort, but a sorry group gathers—his producer, staff, actors, wife, mistress, and relatives—each one begging him to get on with the show. In retreat from their dependency, he fantasizes ...
11 de ene. de 2006 · Amazon.com: 8 1/2 (The Criterion Collection) [Blu-ray] : Marcello Mastroianni, Anouk Aime, Claudia Cardinale, Sandra Milo, Rossella Falk, Barbara Steele, Madeleine ...
Tiếng Ý. Tiếng Pháp. Tiếng Anh. Tiếng Đức. Doanh thu. 3,5 triệu USD (doanh thu cho thuê băng) [2] 8½ là bộ phim điện ảnh Italia, giành 2 giải Oscar cho hạng mục phim tiếng nước ngoài hay nhất và thiết kế trang phục, được đề cử 3 giải khác. Phim cũng tham gia Liên hoan phim Cannes ...
Guido Anselmi, a film director, finds himself creatively barren at the peak of his career. Urged by his doctors to rest, Anselmi heads for a luxurious resort, but a sorry group gathers—his producer, staff, actors, wife, mistress, and relatives—each one begging him to get on with the show. In retreat from their dependency, he fantasizes about past women and dreams of his childhood.
Sinopsis. 8 1/2 nos cuenta la historia de Guido, un director de recién adquirido éxito que se enfrenta a su película ocho y medio en plena crisis creativa, rodeado de extraños y esperpénticos personajes, en un mundo donde el límite entre realidad y fantasía es difuso. El film es obra autobiográfica de Fellini (siendo su película ocho y ...
12 de ene. de 2010 · 8½: a bizarre and puzzling title, but one precisely appropriate for this film, which announces in its first frame that modernism has reached the cinema. If the mark of modernism in art is self-reference, 8½ surely goes beyond any predecessor in having itself as its subject. By 1963, Federico Fellini had made, by his count, seven and a half films. Hence 8½ is like an opus number: this is ...
