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Jorge Manuel Theotocópuli ( Toledo, 1578]-Toledo, 1631) fue un pintor y arquitecto español, único hijo —al parecer hijo natural — de Doménikos Theotocópuli, el Greco. Retrato de Jorge Manuel Theotocópuli, por Domenikos Theotocópouli, el Greco. Ca. 1600-1605. Sevilla, Museo de Bellas Artes de Sevilla. Jorge Manuel Theotocópuli fue un ...
en 1604 proyectó un teatro para la ciudad, Theotocópuli se atuviera al modelo tradicional de corral de comedias his-pánico, a pesar del interés paterno por la tipología del teatro antiguo. 10 Con una cierta concomitancia con su obra retablística, se nos aparecen las dos portadas que Jorge Manuel diseñó y hoy conservamos en pie.
5 de jun. de 2014 · El tránsito de Santa María Magdalena, de Jorge Manuel Theotocópuli, pintado en 1607. Por . Peio H. Riaño. 05/06/2014 - 15:00.
Jorge Manuel Theotocópuli (1578 - 1631), was a Spanish painter and architect. He was the only son of the iconic painter, Doménikos Theotokópoulos, called "El Greco". He learned his trade working in the studios of his father. Around 1603, he participated in creating custom altarpieces in Illescas; his first documented work.
Theotocópuli, Jorge Manuel. Toledo, 1578 - Toledo (Spain), 1631. Jorge Manuel's artistic personality depended directly on that of his brilliant father, El Greco. He was trained and worked in his father's workshop until the latter's death, although he also worked on his independently as a painter and altarpiece maker.
Oil on canvas, 74 x 51,5 cm. Museo de Bellas Artes, Seville. Long thought to be a self-portrait by El Greco, this painting is now universally agreed to represent the painter's son, Jorge Manuel Theotokopoulos (1578-1631). Jorge Manuel appears about the same age as in the Virgin of Charity, painted 1603-05, that is, when he was twenty-five to ...
22 de jun. de 2022 · The discovery of unpublished documentation in Rome and Toledo allows us to clarify some questions about painters from Toledo in the first third of the 17th century, such as the possible arrival of Maíno in Rome, the date of Alejandro Loarte’s birth, and the intervention of Jorge Manuel Theotocópuli in the Oballe Chapel.
