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  1. Nicolas Poussin. Paris, 1994, pp. 250–51, 267, 277, no. 78, ill. Sebastian Schütze. "Exemplum Romantitatis: Poussin e la pittura napoletana del Seicento." Poussin et Rome: Actes du colloque à l'Académie de France à Rome et à la Bibliotheca Hertziana, 16–18 novembre 1994. Ed.

  2. 20 de sept. de 2016 · Nicolas Poussin: A collection of 145 paintings (HD) Description: "Nicolas Poussin was a famous French painter and draftsman who became a central figure of th...

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  3. 26 de mar. de 2019 · Nhuyễn Vân 26/03/19, 09:18. Trong một thời gian dài, bậc thầy hội họa người Pháp thế kỷ 17 Nicolas Poussin luôn được coi là một “họa sĩ triết học”. Những bức tranh của ông luôn chứa đựng những tư tưởng sâu sắc và thu hút những khán giả ngưỡng mộ trí tuệ thâm sâu ...

  4. Born in Les Andelys, Normandy, and active in Paris from 1612 to 1623, Poussin, like many European artists of his generation, was drawn to Rome.He arrived there in 1624 an unformed painter, but would become a central figure for the Roman and European art of his time—despite the fact that he defined himself against the prevailing Baroque tastes of his adopted city and steadfastly followed his ...

  5. By the 1650s, Poussin's syphilis was so bad that his arms were extremely weak and his hands shaky, and he had great difficulty painting. His wife passed away in 1665, and Poussin was devastated by the loss. After decades of terrible pain and suffering Poussin passed away on November 19, 1665. Nicolas Poussin Biography.

  6. Nicolas Poussin fue un pintor francés, uno de los más destacados de la escuela clasicista. Poussin fue el fundador y gran practicante de la pintura clásica francesa del siglo XVII. Su obra simboliza las virtudes de la claridad, la lógica y el orden. Su influencia en el arte francés llega hasta la actualidad.

  7. 19 de dic. de 2016 · Destacan Nicolás Poussin y Claudio Lorena. Ambos vivieron en Roma y desde allí mandaban sus obras a Francia. En el clasicismo de Nicolás Poussin domina la claridad, la racionalidad, el equilibrio y los temas mitológicos. Sus colores son suaves y sus cuadros carecen de movimiento por sus estudiadas composiciones geométricas.

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