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  1. 1 de ago. de 2022 · 1 août 2022. Après « Satchmo », il est l’un des représentants de la trompette swing qui naviguera aussi du côté de la nouvelle esthétique des années 40, le Be-Bop. Roy Eldridge est un inspirateur pour Miles Davis et Dizzy Gillespie. En 1957, le trompettiste participera à une jam de haut niveau en compagnie de Dizzy Gillespie et de ...

  2. Roy Eldridge no es una leyenda trágica ni un gran innovador, como Charlie Parker, pero su trompeta abrió el camino al bebop, demostrando que el jazz no podía estancarse en sus orígenes, sino que debía evolucionar hacia nuevas formas para no transformarse en una reliquia o en simple música ambiental.

  3. 25 de ene. de 2011 · Roy Eldridge. Trumpeter Roy Eldridge 's legendary sound and bravado dwarfed his 5'6" frame. Known as "Little Jazz," and later just "Jazz," his nicknames befit his devotion (five decades) to the ...

  4. it.wikipedia.org › wiki › Roy_EldridgeRoy Eldridge - Wikipedia

    Roy David Eldridge, soprannominato Little Jazz (Pittsburgh, 30 gennaio 1911 – Valley Stream, 26 febbraio 1989), è stato un trombettista jazz statunitense, legato allo stile swing. Il suo uso sofisticato dell' armonia , che includeva l'uso di sostituzioni tritonali (flat fifth substitution), lo portò ad essere considerato un trait-de-union fra l'epoca di Louis Armstrong e l'epoca del bebop .

  5. 6 de ene. de 2018 · Roy’s nickname, “Little Jazz,” came about because of his small stature, and the fact that he was all about jazz.) (Above left: Roy Eldridge – late 1970s. Photo by Nancy Miller Elliott.) Before we went to Ryan’s, we attended a performance of the Jazz Fest which I cannot now recall.

  6. 31 de ene. de 2015 · Little Jazz Roy Eldridge in concert one of the best concerts i have seen . So relax he sings and plays : Saturday Night Fish Fry , Sleepy Time down South and...

    • 17 min
    • 12.4K
    • Thejazzsingers channel
  7. Roy Eldridge may have started his recording career with Clarence Williams. Quote from Tom Lord’s bio-/discography on Clarence Williams: “It has been said that when Roy is “feeling right” he will “admit to” having recorded with Clarence Williams”. However, upon listening to the suggested sessions, Nov. 19, 1929, Jan.