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Summary. T he history of the life of this unfortunate beauty is a record of sin, shame, and wretchedness. The daughter of the Earl of Suffolk, Lord Chamberlain to King James, her birth placed her amongst the highest in the kingdom, and the remarkable loveliness of her person rendered her conspicuous at a very early age.
Frances Howard was the daughter of Charles Howard, 1st Earl of Nottingham and Catherine Carey, Countess of Nottingham. She was a member of the household of Queen Elizabeth as a lady of the Privy Chamber. On New Year's Day 1589, she gave the queen a scarf of black cloth "flourished" with Venice gold and silver, in 1600 she gave seven gold ...
Death. 14 May 1598 (aged 43–44) Burial. Westminster Abbey. Westminster, City of Westminster, Greater London, England Add to Map. Plot. St Benedict's Chapel. Memorial ID. 127174114.
Frances Howard, ("née" de Vere), Countess of Surrey (c. 1516 – 30 June, 1577) was the daughter of John de Vere, 15th Earl of Oxford and Elizabeth Trussell, Countess of Oxford. Frances married twice, first to Henry Howard, Earl of Surrey son of Thomas Howard, 3rd Duke of Norfolk and Lady Elizabeth Stafford they had five children.
English: Portrait of Frances, Countess of Surrey. Black and coloured chalks, pen and Indian ink, white bodycolour, on pink-primed paper, 31.5 × 21.3 cm , Royal Collection , Windsor Castle. The black fall of the headdress may be reworked, and the projection on the left and some of the contours of the sleeve and corsage appear to have been mechanically transferred by indentation (Parker, p. 41).
Frances Stewart, Duchess of Richmond and Lennox, as a widow, after a lost portrait by Anthony van Dyck of 1633. Frances Stewart ( née Howard ), Duchess of Lennox and Richmond, Countess of Hertford (27 July 1578 – 8 October 1639) [1] was the daughter of a younger son of the Duke of Norfolk. An orphan of small fortune, she rose to be the only ...
28 de ene. de 2015 · English: Portrait of Frances, Countess of Surrey. Black and coloured chalks, pen and Indian ink, white bodycolour, on pink-primed paper, 31.5 × 21.3 cm , Royal Collection , Windsor Castle. The black fall of the headdress may be reworked, and the projection on the left and some of the contours of the sleeve and corsage appear to have been mechanically transferred by indentation (Parker, p. 41).
