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  1. Pompeo Batoni, (Lucca 1708 - Rome 1787), and school. Portrait of Pius VI, 1775. Oil on canvas, 137.7 x 98 cm. Cat. 40455. Print Add to Favourites. The painting, which perhaps has always belonged to the pontifical collections, entered the Pinacoteca in 1932, attributed to Anton Raphael Mengs.

  2. Pompeo Girolamo Batoni; Time Unveiling Truth, 1740/45 Pompeo Girolamo Batoni; Don José Moñino y Redondo, Conde de Floridablanca, c. 1776 Pompeo Girolamo Batoni; Saint Andrew, 1740/43 Pompeo Girolamo Batoni; Study for Saint Bartholomew and Drapery, c. 1740 Pompeo Girolamo Batoni; Triumph of Love (after antique bas-relief), n.d. Pompeo Girolamo ...

  3. Pompeo Batoni. Son of a distinguished goldsmith from Lucca, Pompeo Girolamo Batoni began his apprenticeship in that trade. In 1727 he left the family workshop and moved to Rome to study painting. During his early years in the capital he furthered his studies by copying antique sculptures in the Vatican, as well as frescoes by Raphael and the ...

  4. 30 de sept. de 2016 · Pompeo Batoni: a Complete Catalogue of His Paintings Edgar Peters Bowron Yale University Press in association with the Paul Mellon Centre for Studies in British Art and the Museum of Fine Arts ...

  5. Pompeo Batoni was the son of a goldsmith with whom he first learned to draw. He subsequently trained as a painter with two local artists: Domenico Brugieri and Giovan Domenico Lombarda, then moved to Rome at the age of nineteen to complete his studies. Batoni lived and worked in Rome for the rest of his life and became a celebrated portraitist.

  6. 6 de abr. de 2024 · Historical paintings by Pompeo Batoni ‎ (1 C, 8 F) Cleopatra showing Octavius the bust of Julius Caesar ‎ (3 F) Mythological paintings by Pompeo Batoni ‎ (4 C, 27 F) Apollo, Music and Metric - Pompeo Batoni - Louvre RF 1983-47 ‎ (1 F) Diana and Cupid by Batoni ‎ (9 F) Hercules at the crossroads by Batoni ‎ (5 F)

  7. Batoni, Pompeo. Lucca, 1708 - Roma, 1787. Su primer aprendizaje artístico fue en el taller del padre, platero y orfebre, que sin duda le inculcó un cierto gusto por la precisión dibujística y la perfección técnica.