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20 de oct. de 2023 · Though Hedda Hopper had an impressive multi-decade career as an actor, her work began to dry up in the 1930s, and she took to writing to supplement her dwindling income. In 1938, Hopper began penning "Hedda Hopper's Hollywood" for The Los Angeles Times and quickly established herself as a major force in salacious journalism.
24 de ago. de 2021 · At the age of 80, Hedda Hopper died from pneumonia. Her body was returned to Altoona and buried in the family plot in Rose Hill Cemetery. While she hadn't made it big in the movies, the world has never been the same thanks to her career in "journalism" that we see every time we go to the store today. We stood in silence for a minute or two ...
That is why two aggressive, ambitious gossip columnists, Louella Parsons and Hedda Hopper, yielded so much power. Their newspaper columns, read at their peak by 75 million every day, continually threatened to expose one world to the other. Louella Parsons seems to have had as many secrets as the tycoons she covered.
Hedda realizaba comentarios sobre diversos actores y respecto a la vida personal de éstos, encontrándose siempre en su punto de mira algunos como Spencer Tracy, Charles Chaplin, Joseph Cotten, o Cary Grant, entre otros. En el año 1939, Hedda consiguió un programa de radio, llamado “The Hedda Hopper Show”.
Hedda Hopper (Hollidaysburg, Pennsylvania, 2. svibnja 1885. - Los Angeles , Kalifornija , 1. veljače 1966 .) bila je američka glumica i novinarka , najpoznatija po trač kolumni koju je pisala za Los Angeles Times iz 1938 . godine, što ju je učinilo jednom od najutjecajnijih, ali i najomraženijih figura u Hollywoodu u to vrijeme.
Hedda Hopper (1890 - 1966) fue una actriz de Estados Unidos conocida por: El crepúsculo de los dioses, Heedless Moths, The Port of Missing Girls, Hombres peligrosos, Raffles: The Amateur Cracksman, Sadie Love, The Beloved Traitor, Los de abajo, Rebound y High Society Blues
Hedda Hopper (2. maj 1885 - 1. februar 1966) je bila američka glumica i novinarka, najpoznatija po trač kolumni koju je od 1938. pisala za Los Angeles Times, i zbog koje je postala jedna od najuticajnijih, ali i najomraženijih ličnosti tadašnjeg Hollywooda.
