Resultado de búsqueda
George Cukor se convirtió en un director indispensable en el mundo del cine. Plataformas como Netflix, HBO Max, Amazon Prime y Paramount+, tienen en su catálogo éxitos del director, los últimos estrenos y también algunos títulos ocultos imperdibles. Te invitamos a un recorrido por las películas de George Cukor que no te podés perder.
28 de oct. de 2004 · Cukor, George. b. July 7, 1899, New York City, USA. d. January 23, 1983, Los Angeles, USA. That’s fun, dancing on the edge! – Little Emily in David Copperfield (1934) After Norman Maine (James Mason) listens to Esther Blodgett (Judy Garland) sing “The Man That Got Away” in George Cukor’s 1954 version of A Star is Born, he describes ...
Este artigo diz respeito à rubrica Incontornáveis, e Nasce uma estrela de George Cukor faz parte da programação que a Cinemateca do MAM promove em outubro de 2023. Confira a programação da Cinemateca do MAM. Leia mais artigos. . O MAM Rio é uma instituição aberta ao público que desde 1948 promove a criação artística e cultural.
Biografía de George Cukor 07 de Julio de 1899, y su filmografía, todas sus películas: Mujeres, Historias de Filadelfia, Margarita Gautier, El enemigo público nº 1, Las cuatro hermanitas
George Cukor - 1940s Films, Directing, Hollywood: Arguably, Cukor’s most lasting contribution to cinema history was the romantic comedy The Philadelphia Story (1940), in which Hepburn repeated her role from the stage play that had been written especially for her by Barry. She played a socialite, Grant portrayed her ex-husband, and James Stewart was a reporter; together they created screen ...
10 de ago. de 2013 · George Cukor war wie so viele große Filmemacher seiner Zeit ein Kind europäischer Emigranten, in seinem Fall jüdischer Ungarn, die angeblich stolz darauf waren, ihre Familie bis in die Zeit vor ...
A few years ago, David Susskind presided over a panel of Hollywood people, three of whom were the directors Richard Brooks, George Cukor, and Fred Zinnemann. It became clear during the course of the program that Susskind respected Brooks, revered Zinnemann, and dismissed Cukor as a “woman’s director.”.
