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WILHELM GROENER Günther Wilhelm & Mariola Groener Weserstraße 25 12045 Berlin info@wilhelmgroener.net. Types of data processed. Inventory data (e.g., names, addresses).
This was impressively accomplished in WILHELM GROENER’s last piece “Paravent Privé” which very precisely and very poetically dealt with the fate of the private and the public. The audience wanders between nine cubes covered with transparent plastic, arranged in three accurate rows.
WILHELM GROENER’s production however is beyond such moralizing. They confront their own interest in public curiosity on one side and love-hungry exhibitionism on the other most of all with humor.« WDR 3, Mosaik, Nicole Strecker, 06.09.2005
POTSDAM, Germany, May 4 (AP) --General Wilhelm Groener, the last quartermaster general of the Imperial German Army and for four years Minister of Defense under the post-war republic, died early ...
Wilhelm Groener was a German general and politician born in 1867. His organizational and logistical abilities earned him a successful military career before and during World War I. After resigning from the army in 1919, Groener served in several governments of the Weimar Republic as Minister of Transportation, Interior, and Defense. He tried to integrate the military, dominated by an ...
The movement sequence that starts with Günther Wilhelm’s twitching arm is a kind of prelude to the subsequent experimental scenes and scenarios, with which WILHELM GROENER pursue the abovementioned questions. They are decidedly placing the implicit question about the role of body- movement in relation to visibility in the beginning.
»Am Bildaltar (At the Altar of Pictures) the première of the Berlin duo Günther Wilhelm/Mariola Groener, is a smooth succession of nicely ironic re-enactments of religious images from painting. For a whole hour the agile figures gently form into groups of twos or threes: thoughtfully produced, the eyes skyward, with open arms hoping for the blessing from above or in a
