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  1. 13 de mar. de 2024 · Love and the Pilgrim (1896–7) Tate. Edward Burne-Jones is considered by many to be the last of the Pre-Raphaelites. His work reflects the ideals of the end of the nineteenth century. Known mainly as a painter, there was much more to Burne-Jones than you might realise. He combined the ideals of the Pre-Raphaelites with Aestheticism and ...

  2. 1 de nov. de 2014 · Georgiana (née MacDonald) was married to the artist Sir Edward Burne-Jones. Edward (just plain Ted Jones at this time) and William Morris were students and best friends at Exeter College, Oxford in the 1850s. A number of the Oxford colleges have stained glass windows designed by Morris and Burne-Jones and, of course, there are the ceiling ...

  3. George Eliot letter to Georgiana Burne-Jones, 3 August 1874. It was sweet of you to write me that nice long letter. I was athirst for some news of you. Life, as you say, is a big thing. No wonder there comes a season when we shall look around and say, "How shall I enjoy?"

  4. 27 de dic. de 2009 · Memorials of Edward Burne-Jones by Burne-Jones, Georgiana, Lady, 1840-1920. Publication date 1906 Topics Burne-Jones, Edward Coley, Sir, 1833-1898 Publisher

  5. Georgiana Burne-Jones, Lady Burne-Jones (Birmingham, 21 July 1840 – 2 February 1920), the second oldest of the Macdonald sisters, was the wife of Pre-Raphaelite Brotherhood artist Edward Burne-Jones, mother of painter Philip Burne-Jones, aunt of novelist Rudyard Kipling, confidante and friend of George Eliot, William Morris, and John Ruskin something of a painter and engraver in her own right.

  6. 23 de jul. de 2018 · Georgiana Burne-Jones. Born on the 21st July 1840, Georgiana Burne-Jones was the wife of Pre-Raphaelite Brotherhood artist Edward Burne-Jones. She was also the mother of the painter Philip Burne-Jones, auntie to the famous Rudyard Kipling and close friend of William Morris and George Eliot. Born Georgiana MacDonald into a strict, God fearing ...

  7. Georgiana MacDonald Burne-Jones (1840-1920) Georgiana MacDonald came from a strict, God-fearing family. Both her father and grandfather were Methodist ministers. According to Jan Marsh in Pre-Raphaelite Sisterhood, reading the works of Shakespeare and attending the theater were forbidden and considered sinful in their family on the grounds of morality.