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Although the French neo-classical artist Jean Auguste Dominique Ingres often confessed reluctance to paint portraits, his many splendid paintings of French aristocrats and powerful personalities ultimately glorified his persona, and assured his social ascendancy in the royal circles of Louis-Philippe d’Orléans (r
Jean-Auguste-Dominique Ingres (29. august 1780 – 14. januar 1867) var en fransk maler og en af hovedeksponenterne for det franske klassicistiske 1800-tals maleri. Han var i en periode elev hos Jacques-Louis David og lagde især vægt på klarhed og strenghed i kompositionen og en nøjagtig gengivelse af detaljerne, hvilket kommer frem i portrætternes silke, fløjl, blonder og ...
The eldest child of the sculptor, painter, and musician Jean-Marie-Joseph Ingres, Jean-Auguste-Dominique was born in 1780 in Montauban, a small town in southern France. Under his father's tutelage, he showed a talent for violin and a proclivity for drawing at a young age; his earliest-known signed drawing dates to 1789.
尚·奧古斯特·多米尼克·安格爾（法語： Jean Auguste Dominique Ingres ，法語發音： [ʒɑ̃ oɡyst dɔminik ɛ̃ɡʁ] ；1780年8月29日—1867年1月14日）是法國畫家，新古典主義畫派的最後一位代表人物，他和浪漫主義畫派的傑出代表歐仁·德拉克羅瓦之間的著名爭論震動了整個法國畫壇。
Jean Auguste Dominique Ingres (1780 - 1867) Artwork not currently exhibited in the museum. Other artworks from artist. This canvas was started about 1820 but not finished until 1856. Ingres was then assisted by two of his pupils, a common practice for large formats. The influence of techniques proper to sculpture on the treatment of the nymph ...
Jean-Auguste-Dominique Ingres. New York, 1967, pp. 122–23, colorpl. 31, mentions that this portrait conveys the new mood of bourgeois respectability that began to appear in Ingres's female portraits in the 1820s; notes that her pose recalls David's "Mme Verninac" of 1799 (Louvre, Paris). Ettore Camesasca in L'opera completa di Ingres.
Jean Auguste Dominique Ingres "Türgi saun" (1862) Oma hilisemas elus jätkas Ingres portreede ja aktimaalide maalimist. Üks tema viimastest teostest on "Türgi saun" (1862), mis eristub ülesehituselt paljuski tema varasematest teostest stseeni olmelisuse ja figuuride paljususe tõttu, samal ajal kujutades kõige ingres'ilikumaks kujunenud detaile ja teemat.
