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Catalogue Note. Edward Hodges Baily (fig. 2) was considered the greatest exponent of ‘ideal’ sculpture in mid-nineteenth century England. His monumental Three Graces, commissioned by Joseph Neeld (fig. 1) for Grittleton House, was his most ambitious ‘ideal’ work. It was a seminal subject, made popular in the early nineteenth century by ...
Baily’s Eve at the Fountain was exhibited back in the day at the Royal Academy in 1820. We believe that at that time, he exhibited a plaster version which now resides at the Victoria and Albert Museum in Britain.
Edward Hodges Baily in his Studio from NPG2.jpg 556 × 775; 264 KB Edward Hodges Baily.jpg 824 × 1,024; 306 KB Unknown bust - geograph.org.uk - 1084998.jpg 424 × 640; 57 KB
The sculptor was Edward Hodges Baily, best known for the statue of Admiral Nelson in Trafalgar Square. Baily copied the head of Wellington from a bust by Joseph Nollekens (Apsley House), but gave the composition much character with the addition of grandiose classical drapery and an eagle motif on the Duke’s pendant.
Minerva worked on twice, by 1830 & altered about 1834 John Flaxman (1755–1826) and Edward Hodges Baily (1788–1867) Minerva worked on twice, by 1830 & altered about 1834 The National Gallery, London
All three statues are the work of the British neoclassical sculptor Edward Hodges Baily. They were not made for the National Gallery, but were commissioned by King George IV for other structural projects in central London - in the case of the Victory figure, for the Marble Arch, a monument intended to celebrate Britain’s defeat of the French ...
Maternal Affection. Sculpture/figure group. Baily, Edward Hodges (British, 1788-1867). Seated mother and child on a rectangular base with rounded ends. The mother sits on a rectangular chest in profile to the viewer. Her hair is dressed in 'Grecian' style. The lower part of her body is draped and the upper part is nude. Her left leg is forward, and her right foot tucked under it so that its ...
