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Marie Stillman (née Spartali) - Greek: Μαρία Σπαρτάλη - (10 March 1844 - 6 March 1927) was a British member of the second generation of the Pre-Raphaelite Brotherhood. Of the Pre-Raphaelites, she had one of the longest-running careers, spanning sixty years and producing over one hundred and fifty works.
Pozostawiła po sobie ponad 170 prac, wartych dzisiaj ponad 600 milionów dolarów. Marie Spartali zmarła w marcu 1927 roku w Ashburn Place w South Kensington. Jej ciało zostało skremowane na cmentarzu Brookwood, niedaleko Woking, w hrabstwie Surrey. Pochowana jest w grobowcu ojca na Zachodnim Cmentarzu Norwood.
15 de may. de 2024 · Marie Spartali Stillman. 1894. On display at Tate Britain part of Now You See Us. Artist page for Marie Spartali Stillman (1844 – 1927)
14 de jun. de 2021 · Marie Spartali Stillman was one of the most important female Pre-Raphaelite artists. As well as being an artist in her own right she modelled for a number of others. She was part of the first wave of British women able to train as a professional artist. She worked with a technique that gives her watercolours the quality of an oil painting.
Marie Spartali Stillman, de soltera Marie Euphrosyne Spartali (1844-1927) Pintora de la época victoriana afín al estilo Prerrafaelita, descrita como la mejor pintora Prerrafaelita. Durante una carrera de 60 años, produjo un centenar de cuadros, contribuyendo regularmente a la galerías de Londres y de Estados Unidos, siendo la única prerrafaelista que expuso en ambos países.
Catalogue Note. Born 10 March 1844, Marie Euphrosyne Spartali was the youngest daughter of Euphrosyne and Michael Spartali, a wealthy and cosmopolitan merchant and later Greek consul general for London. Marie and her sister Christine and brother Demetrius were raised in a large house in Clapham, which became the centre of the Greek community in ...
23 de sept. de 2016 · Marie Spartali Stillman (1844–1927), Love’s Messenger (1885), watercolor, tempera and gold paint on paper mounted on wood, 81.3 × 66 cm, Delaware Art Museum, Wilmington, DE. Wikimedia Commons. Love’s Messenger (1885) is considered to be the finest of her single-figure paintings, and was her most successful ‘problem picture’.
