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Elizabeth, daughter of Richard Pepys, Lord Chief Justice of Ireland, and wife of Thomas Stradwick. This text comes from a footnote on a diary entry in the 1893 edition edited by Henry B. Wheatley. See this person on the Pepys family tree. Mastodon.
12 de dic. de 2005 · The bride was fifteen and the groom twenty-two, when they married on December 1st, 1655. Elizabeth Pepys The bride was fifteen, the groom twenty-two, and the church was St Margaret’s, Westminster, across the road from the Houses of Parliament. It was a civil ceremony, but there had apparently been a religious ceremony on the previous October ...
1 de ene. de 2021 · Despite being married to Élisabeth de Saint Michel in 1655, Pepys listed in his diary dozens of mistresses including Mrs Lane, Mrs Tooker, Mrs Burrows, Mrs Martin, Mrs Pennington, Betty Mitchell and the actress Elizabeth Knepp. One of Pepys’ most passionate and poignant liaisons was with Deb Willet, a lady’s maid to his wife.
27 de sept. de 2019 · Samuel Pepys’s marital bed might often have been metaphorically cold, caused at least in part by his wife Elizabeth’s excruciatingly painful genital abscesses, but that didn’t stop him getting his jollies elsewhere when he could. Women in Samuel Pepys’s Diary. Pepys’s diary is remarkably frank when it comes to his pursuit of love.
28 de mar. de 2004 · from Percival Hunt, "Samuel Pepys in the Diary," University of Pittsburgh Press, 1958. Lord Sandwich born: May 28, 1625 Pepys born: February 23, 1633 Elizabeth Le Marchant de St. Michel born: October 23, 1640 Pepys at St. Paul's School: 1643 [?] - 1650 Charles I executed: January 30, 1649 Pepys at Cambridge: March 1651 - October 1653
20 de may. de 2024 · Only 15 at the time, Elizabeth emerges from Pepys’ diary over the following years as a lively, spirited wife who often gave as good as she got. The Marriage Register at St. Margaret’s Westminster records December 1, 1655, as the day of their marriage, but Pepys and his wife always kept October 10 as their anniversary.
The Ladies. : David Roberts. Clarendon Press, 1989 - Drama - 188 pages. This is the first in-depth study of a female audience that shows how and why women went to the theater in Restoration England. Robert challenges the assumption that a "ladies' faction" played an important part in encouraging the playhouses to present a more moral, less ...
