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The poems in this choral anthology by Tullia d'Aragona (1505/10-1556)—addressed to a wide array of recipients including the Duke and Duchess of Florence, their relatives, important literati, cardinals, bankers, and soldiers from various cities of Renaissance Italy—are presented here for the first time in their original order, also translated into English, including the sections of proposal ...
File de chuid na hAthbheochana Iodálaí ba ea Tullia d'Aragona (c. 1510–1556). Ba í Giulia Campana, striapach chúirte, a máthair, agus deirtí gurbh é an Cairdinéal Luigi d'Aragona, nia Alfonso II Napoli, a hathair. Chaith sí a hóige i bhFlórans agus in Siena agus fuair scolaíocht ar leith. Thug a máthair léi chun na Róimhe í ...
Tullia d’Aragona hace gala de una cultura filosófica nada común y demuestra asimismo conoced perfectamente el arte de la publicidad, a juzgar por los elogios hiperbólicos que se prodiga a sí misma, por boca de sus autorizados interlocutores. A. Sacchi.
Tullia d’Aragona is the only female writer in the renaissance tradition of love dialogues (Russell 1997, 21). Her account of love is impregnated by the idea of equality between women and men.
In her treatise Della infinità di amore (1547), Tullia d’Aragona (c. 1510-1556) elaborates an original interpretation of the Neo-Platonism of her time, especially with respect to the theme of love, in vogue in the 16th century.
Tullia d’Aragona (ca. 1501- 1556) was a celebrated Italian courtesan, prolific author, and philosopher. She composed and experimented with the structure of sonnets and participated in the philosophical Neoplatonic debates in fashion during her lifetime.
9 de jul. de 2020 · Tullia d’Aragona (ca. 1510–1556), Footnote 1 a well-known renaissance poet and courtesan, was established as a philosopher with her one and only philosophical work Dialogo della Infinità di Amore (Dialogue on the Infinity of Love).
