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  1. Merce Cunningham ( Centralia, 16 de abril de 1919 - Nueva York, 26 de julio de 2009) fue un bailarín y coreógrafo estadounidense. Datos rápidos Información personal, Nombre de nacimiento ... Merce Cunningham fue un bailarín y coreógrafo estadounidense.

  2. Brooklyn, New York. Education. Cornell University, Black Mountain College, University of Massachusetts at Amherst. Known for. Dance. Movement. Modern dance. Marianne Preger-Simon (born 1929) is an American dancer, choreographer, writer, and psychotherapist. She is best known for her work as a founding member of the Merce Cunningham Dance Company.

  3. 活動期間. 1938年 - 2009年. 非婚配偶者. ジョン・ケージ [1] 公式サイト. www .mercecunningham .org. テンプレートを表示. マース・カニングハム. マース・カニングハム [2] ( Merce Cunningham 、 1919年 4月16日 - 2009年 7月26日 )は、 アメリカ の ダンサー 、 振付家 [3] 。.

  4. 16 de oct. de 2020 · Oct 15, 2020 - 18:30 EDT. Un documental sobre la figura de Merce Cunningham tenía artísticamente prohibido ser convencional. Bailarín y coreógrafo de vanguardia, aunque esto último no le ...

  5. en.wikipedia.org › wiki › El_PenitenteEl Penitente - Wikipedia

    El Penitente. El Penitente is a modern dance work by Martha Graham performed to music by Louis Horst. It premiered on August 11, 1940, at the Bennington College Theater, Bennington, Vermont, with costumes by Edythe Gilfond and a set by Arch Lauterer. Isamu Noguchi later redesigned the set and created a new mask.

  6. Ziegfeld Theater, New York, NY. Original ballet company. Ballet Society. Design. Isamu Noguchi. The Seasons is a ballet with music by John Cage and choreography by Merce Cunningham, first performed in 1947. It was Cage's first piece for orchestra [1] and also the first to use what Cage later called the gamut technique, albeit in an early form.

  7. One of Merce Cunningham’s most influential strategies was his use of chance and randomness as a creative tool. Cunningham would often flip coins, roll dice, or even consult the I-Ching to guide the way he structured his choreography. This strategy, also favored by John Cage, challenged traditional notions of storytelling in dance.