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Sheriffen (originaltitel: High Noon) är en amerikansk westernfilm från 1952 i regi av Fred Zinnemann, med Gary Cooper i huvudrollen. Handling [ redigera | redigera wikitext ] På sin bröllopsdag får sheriffen Will Kane ( Gary Cooper ) reda på att den morddömde brottslingen Frank Miller ( Ian MacDonald ) har blivit frisläppt från fängelset, och är på väg med 12-tåget.
High Noon 1952. Gary Cooper won the Oscar® for the Best Actor in this classic tale of a lawman who stands alone to defend a town of cowardly citizens against a gang of revenge-seeking criminals. IMDb 8.0 1 h 21 min 1952. PG. Suspense · Western · Compelling · Downbeat. This video is currently unavailable. to watch in your location.
16 de feb. de 2024 · High Noon (1952) Alternatieve titels: Klokslag 12 / De Trein Zal Drie Maal Fluiten. Geregisseerd door: Fred Zinnemann. Met onder meer: Gary Cooper, Grace Kelly en Lloyd Bridges. IMDb beoordeling: 8,0 (110.425) Gesproken taal: Engels en Italiaans. "The story of a man who was too proud to run." Will Kane is al jaren de wetshandhaver in het stadje ...
日正当中 (电影) 《 日正當中 》（英語： High Noon ）是一部1952年的 美國 黑白 西部片 ，由 賈利·古柏 、 格蕾丝·凯利 所主演，被認為是美國影史上最重要的電影之一， 国家影片登记部 于1989年将本片收入首批典藏保护的25部美国电影之一 [1] 。. 此片获得1952年 ...
High Noon ( bra: Matar ou Morrer[ 1][ 2]; prt: Comboio Apitou Três Vezes,[ 3] ou O Comboio Apitou Três Vezes[ 4]) é um filme americano de 1952, do gênero faroeste, dirigido por Fred Zinnemann . O roteiro é de John W. Cunningham (argumento) e Carl Foreman, baseado numa pequena história popular, The Tin Star. O filme conta a história de um ...
In this classic Western, Will Kane, the longtime Marshal of Hadleyville in New Mexico territory, has just retired following his marriage with pacifist Quaker Amy Fowler. However, word arrives that Frank Miller, a criminal that Kane once sent away to be hanged, has been pardoned, and will arrive into town, at high noon, with one thing on his ...
No. 11: HIGH NOON (1952) Introduction: In this FILM MUSIC IN FOCUS article, Film music critic Roger Hall offers his personal view of this classic film and score. Following the discussion about the film is his CD review of the score. He has written extensively about Dimitri Tiomkin, including about his early film scores in Soundtrack magazine.
