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  1. 1947. Not on view. This bold and playful image is one of twenty plates Matisse created to illustrate his groundbreaking book "Jazz." The illustrations derive from maquettes of cut and pasted colored papers, which were then printed using a stencil technique known as "pochoir." Here, the mythological figure Icarus is presented in a simplified ...

  2. Henri Matisse (1869-1954) Losange signed 'H. Matisse' (lower right) painted cut-outs over pencil on painted paper laid down on paper laid down on canvas Sheet size: 20 ¾ x 16 in. (52.6 x 40.7 cm.) Mount size: 23 ¾ x 18 1/8 in. (60.4 x 45.9 cm.) Executed in 1946-1947

  3. Henri Matisse (1869-1954) Chronology France, 1900 A.D.-present. Museum Publications. Vertigo of Color: Matisse, Derain, and the Origins of Fauvism.

  4. De la couleur (Maquette pour Verve) is the working maquette for that publication, and dates, as did the other papiers découpés, to the Summer of 1943. It was then that Tériade and Matisse had had the idea of an edition of Verve that would be dedicated to Matisse's paintings. This became the 1945 issue, entitled De la couleur - hence the ...

  5. Held to be the foremost representative of Fauvism, throughout his life Henri Émile Benoît Matisse excelled in painting, sculpture, graphic art and collage, and has gone down in history as one of the great figures in twentieth-century art. After obtaining a law degree in Paris, he worked as a solicitor at a law firm, but left in 1889 to study ...

  6. Painted at Collioure in the late spring of 1907, Les Pivoines combines the varied, gestural brushwork of Fauvism with the abstract, intangible space of Matisse's revolutionary decorative mode. Within weeks of its creation, it was acquired for the Galerie Bernheim-Jeune by the critic Félix Fénéon, said to possess the most discerning eye for ...

  7. Henri Matisse (1869-1954) was born in Le Cateau-Cambrésis, in northern France, on December 31, 1869. He is one of the most prominent 20th-century artists, best known as a founding Fauvist movement member and for his modernist innovations in painting, sculpture, and his original cut-out papers découpés.

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