Resultado de búsqueda
7 de jun. de 2022 · She has written for numerous outlets including The Village Voice, MUBI Notebook, Vulture, and Film Comment. David Cronenberg’s name is synonymous with body horror. There were examples of it in ...
Una noche, James Ballard estrella su coche contra el de Helen y ambos son ingresados en un hospital. Lo sorprendente es que inmediatamente después del choque los dos experimentaron una extraña atracción mutua. A partir de entonces, la vida de James se precipitará hacia un mundo oscuro y prohibido, dominado por el peligro, el sexo y la muerte.
19 de jul. de 2022 · From ‘Shivers’ to ‘Crash’, we’re ranking every David Cronenberg film — spanning his low-budget classics, forgettable duds and the gems in between. 22. Fast Company (1979) Kicking things off, we turn to Cronenberg’s first foray outside the horror genre, a film that’s fallen out of favor even among the director’s most rabid fans.
Director. Cosmopolis (2012) Roger Ebert. Written and directed by. A Dangerous Method (2011) Roger Ebert. Directed by. Eastern Promises (2007) Roger Ebert.
May 9, 2024 Full Review Nadine Whitney Mr. Movie's Film Blog Crimes of the Future may be better described as ‘echoes of the past,’ yet it is evocative enough to avoid at any stage being boring.
- (286)
- Horror, Sci-Fi, Drama
- R
David Cronenberg. Actor: The Fly. David Cronenberg, also known as the King of Venereal Horror or the Baron of Blood, was born in Toronto, Ontario, Canada, in 1943. His father, Milton Cronenberg, was a journalist and editor, and his mother, Esther (Sumberg), was a piano player. After showing an inclination for literature at an early age (he wrote and published eerie short stories, thus ...
9 de jul. de 2022 · David Cronenberg's The Brood (1979) is, in many ways, the apotheosis of his early interests. Appearing after a handful of shorts, two body-horror features (Rabid, and Shivers), and a totally out-of-left-field film about a race car driver (Fast Company), The Brood is a bitter, creepy little film that was reportedly written in the throes of the director's divorce.
