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  1. en.wikipedia.org › wiki › Franz_KlineFranz Kline - Wikipedia

    Franz Kline (May 23, 1910 – May 13, 1962) was an American painter. He is associated with the Abstract Expressionist movement of the 1940s and 1950s. Kline, along with other action painters like Jackson Pollock , Willem de Kooning , Robert Motherwell , John Ferren , and Lee Krasner , as well as local poets, dancers, and musicians came to be known as the informal group, the New York School .

  2. Franz Kline’s Painting No. 11 (1951) hanging above the couch in the Langs’ living room, with Clyfford Still’s PH-338 (1949) at right, 2018. Photo by Spike Mafford / Zocalo Studios. Courtesy of Friday Foundation. Until now I have deliberately focused on Painting No. 11 in isolation for good reasons.

  3. www.artforum.com › features › franz-kline-2-214511Franz Kline - Artforum

    In an interview with the poet and critic Frank O’Hara in 1958, Franz Kline observed with his characteristic simplicity and insight— “You don’t paint the way someone, by observing your life, thinks you have to paint, you paint the way you have to in order to give, that’s life itself, and someone will look and say it is the product of knowing, but it has nothing to do with knowing, it ...

  4. Franz Kline Paintings, 1950–1962. The digital catalogue raisonné features oil paintings by Franz Kline (1910–1962) created between the years 1950 and 1962. For the history of this project, see About this Project. For the structure and use of the catalogue raisonné, see the Guide.

  5. www.artnet.com › artists › franz-klineFranz Kline | Artnet

    Franz Kline was an American Abstract Expressionist known for his distinctive monochromatic paintings. View Franz Kline’s 844 artworks on artnet. Find an in-depth biography, exhibitions, original artworks for sale, the latest news, and sold auction prices.

  6. ‘Meryon‘, Franz Kline, 1960–1 ‘Meryon‘, Franz Kline, 1960–1. Skip navigation. Shop. Become a Member. Main menu. Art and artists. Our collection Artists ...

  7. Franz Kline began his career as a figurative painter, but in the late 1940s, he used a projector to enlarge his drawing of a black rocking chair onto the wall. Intrigued by the way the image appeared abstract when it was enlarged, he decided to dedicate himself to creating large-scale, black-on-white abstract works.