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  1. waddesdon.org.uk › whats-on › gustave-moreau-the-fablesGustave Moreau - Waddesdon Manor

    An exhibition of rarely seen watercolours by a great French artist, that illustrate the 17th-century Fables of Jean de la Fontaine. Gustave Moreau (1826-98) was one of the most brilliant and influential artists associated with the French Symbolist movement. This exhibition aims to display some of the most important works he ever made, unseen in ...

  2. L’illustrateur des dames et des demoiselles (1864) [artist's press clipping scrapbook, 1864–68; Musée Gustave Moreau, inv. no. 14581], asserts that the artist’s research of pre-sixteenth-century Florentine and Venetian old masters has generated a new poetics; defends it against accusations of pastiching Mantegna; compares its mysterious qualities to gothic art; remarks that Oedipus’s ...

  3. Gustave Moreau was an artist and an important figure in the Symbolist movement. Jean Cassou called him "the Symbolist painter par excellence." He was an influential forerunner of symbolism in the visual arts in the 1860s, and at the height of the symbolist movement in the 1890s, he was among the most significant painters.

  4. Gustave Moreau (Parijs, 6 april 1826 – aldaar, 18 april 1898) was een Frans schilder van symbolistische allegorieën. Biografie [ bewerken | brontekst bewerken ] In 1844 ging hij studeren aan de École des Beaux-Arts in Parijs en vanaf 1849 werd hij leerling van Théodore Chassériau , bij wie hij ook woonde.

  5. Gustave Moreau (1826-1898) 国籍:法国 流派:象征主义 已收录94件艺术品. 古斯塔夫·莫罗(法语: [mɔʁo];1826年4月6日- 1898年4月18日)是法国象征主义绘画的主要人物,其主要重点是圣经和神话人物的插图。. 作为一名画家,莫罗吸引了一些象征主义作家和艺术家的 ...

  6. Wikipedia-Artikel Verweise. Gustave Moreau (* 6. April 1826 in Paris; † 18. April 1898 ebenda) war ein französischer Maler und Zeichner des Symbolismus. Moreau war ab 1846 Schüler von Théodore Chassériau an der Académie des Beaux-Arts in Paris. Seine Gemälde, Aquarelle und Zeichnungen stellen vor allem biblische, mythische und ...

  7. Galatea, whom the artist depicted on several occasions, is the principal figure in this work from Moreau’s final years. Her languid figure, reclining in the foreground, is set in a rocky landscape with lush, exotic vegetation. These plant forms are inspired by the marine plants that particularly fascinated Moreau.