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  1. 31 de mar. de 2019 · Rereading Slaughterhouse-Five now that we’re both 50, I became absorbed, in a new way, by the shifting voltage of the phrase So it goes, which appears in the text (just googled this) 106 times ...

  2. Matadero cinco es una película dirigida por George Roy Hill con Michael Sacks, Ron Leibman, Eugene Roche, Sharon Gans .... Año: 1972. Título original: Slaughterhouse-Five. Sinopsis: En Dresde vive Billy Pilgrim (Michael Sacks), un joven tranquilo, sin pasiones ni curiosidad por el mundo que lo rodea, a pesar de que le ha tocado vivir la ...

  3. Slaughterhouse-Five Summary. Kurt Vonnegut wishes to write a novel about the firebombing of Dresden, which he witnessed as an American POW and survived by hiding in a slaughterhouse. Vonnegut contacts his friend Bernard O’Hare, but they cannot remember much about the bombing. They later visit Dresden and walk through the reconstructed city ...

  4. Selected by the Modern Library as one of the 100 best novels of all time. Slaughterhouse-Five, an American classic, is one of the world’s great antiwar books. Centering on the infamous World War II firebombing of Dresden, the novel is the result of what Kurt Vonnegut described as a twenty-three-year struggle to write a book about what he had ...

  5. 12 de ene. de 1999 · Slaughterhouse-Five is one of the world's great anti-war books. Centering on the infamous fire-bombing of Dresden, Billy Pilgrim's odyssey through time reflects the mythic journey of our own fractured lives as we search for meaning in what we are afraid to know.

  6. 12 de ene. de 1999 · Slaughterhouse-Five, an American classic, is one of the world’s great antiwar books. Centering on the infamous firebombing of Dresden, Billy Pilgrim’s odyssey through time reflects the mythic journey of our own fractured lives as we search for meaning in what we fear most.

  7. Slaughterhouse-Five includes another feature often associated with postmodern fiction: self-reference, or the acknowledgment of the book’s fiction as the book takes place. Vonnegut uses self-reference throughout the novel to call into question the truth of his and Billy Pilgrim’s report of the Dresden bombings.

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