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Jean Auguste Dominique Ingres (* 29. august 1780, Montauban, Francúzsko – † 14. január 1867, Paríž) bol francúzsky maliar, vedúci predstaviteľ neoklasicizmu v maľbe. Sám seba považoval najmä za maliara historických výjavov, za jeho najvýznamnejší odkaz však dnes sú považované najmä jeho portréty.
Jean Auguste Dominique Ingres, född 29 augusti 1780 i Montauban, Tarn-et-Garonne, Frankrike, död 14 januari 1867 i Paris, var en fransk målare och tecknare.
Jean-Auguste-Dominique Ingres è stato un pittore francese, nato nel 1780. Ebbe i primi studi pittorici a Tolosa; si trasferì poi a Parigi per studiare nella bottega (o ‘atelier’) del David ...
15 de dic. de 2021 · Aluno de Jacques-Louis DAVID, Jean-Auguste-Dominique INGRES (1780-1867) se tornou um ícone da pintura conservadora na França do século XIX.. Nos retratos e nas cenas históricas, Ingres perpetuou a tradição clássica com figuras elegantemente desenhadas, muitas vezes audaciosamente distorcidas, distantes da estética romântica que alcançava e alterava sua época.
Jean-Auguste-Dominique Ingres was born in the tiny French town of Montauban in Southern France a few years before the fall of the Bourbon monarchy to the guillotines. His father worked in the “applied arts”: He was a sculptor, painter, architect, stone mason, and home decorator who recognized his first born’s precocious talent early and began to instruct him in all matters design.
Bulletin du Musée Ingres nos. 63-64 (1990), pp. 22, 24 n. 9, as "Portrait de Moltedo"; proposes that Ingres painted only the portrait and that François-Marius Granet painted the landscape; suggests that the motivation to trim the painting was to reduce the prominence of the rosary in order to make the work more salable, noting that the painting lost about 15 cm in height and 12 cm in length.
Jean Auguste Boye Boyer D'Agen. Ingres d'après une correspondance inédite . Paris, 1909, p. 60, quotes a letter that Ingres wrote in January 1821 to Jean-François Gilibert in which he mentions this painting; mistakenly thinks that Ingres was referring to M. Pastoret, not M. Leblanc.
