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Julie London was a singer and actress who captivated audiences with her sultry voice and glamorous style. Explore her life, career, music and legacy on this official fan site.
Para la canción con el mismo título de Justin Timberlake, véase Cry Me a River (canción de Justin Timberlake). «Cry Me a River» es una canción popular escrita por el compositor estadounidense Arthur Hamilton, publicada por primera vez en el año 1953. La pieza fue interpretada por numerosos artistas a lo largo de los años, tanto en su ...
Julie London is an LP album by Julie London, released by Liberty Records under catalog number LRP-3342 as a monophonic recording and catalog number LST-7342 in stereo in 1964. It was arranged by Ernie Freeman; with Dave Hassinger as the engineer. This Julie London album is commonly mistaken to be entitled as "You Don't Have to Be a Baby to Cry ...
Julie Peck, dite Julie London, née le 26 septembre 1926 à Santa Rosa et morte le 18 octobre 2000 à Encino, également en Californie, est une chanteuse et actrice américaine. Faits en bref Nom de naissance, Naissance ... Julie London. En 1958. Données clés.
Yummy, Yummy, Yummy. (1969) Easy Does It is a 1968 album by singer Julie London . By 1967, Julie London was on her way to exiting her long-term contract with Liberty Records. The album was released by Liberty Records under catalog number LRP-3546 as a monophonic recording and LST-7546 as a stereophonic.
Julie London (September 26, 1926 – October 18, 2000) was an American jazz and pop singer and actress. She was noted for her smoky, sensual voice and languid demeanor. She released 32 albums of pop and jazz standards during the 1950s and 1960s, with her signature song being the classic "Cry Me a River," which she introduced in 1955. London's 35-year acting career began in films in 1944 and ...
17 de feb. de 2020 · The widely recorded London (1926-2000) was accorded an appreciative paragraph in the first edition of Leonard Feather’s Encyclopedia Of Jazz, where she was characterised as “a warm and intimate singer who has frequently used jazz-oriented backgrounds under [her husband, Bobby] Troup’s supervision”. But she was dropped from Feather’s following Encyclopedia Of Jazz In The Sixties […]
