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Cecil B. DeMille. Un director de leyenda analiza exhaustivamente las 80 películas que dirigió y muestra la parte más humana de un hombre tachado injustamente de tirano y déspota, cuando todos los que han trabajado con él han dicho lo contrario. Bajo esa supuesta coraza narcisista se escondía un hombre con un buen corazón y una vertiente ...
Biography. Having emerged as a potent force during the birth of Hollywood, director Cecil B. DeMille was a crucial figure in the early development of the classic Hollywood narrative filmmaking style. Although less critically revered than D.W. Griffith, DeMille actually played a more important role in shaping the structure of the Hollywood ...
A Cecil B. DeMille-életműdíj at (Cecil B. DeMille Award) 1952 óta osztják ki a Hollywood Foreign Press Association jóvoltából, a Golden Globe-díj átadásán Hollywoodban. A díj Cecil B. DeMille -ről ( 1881 – 1959) kapta a nevét, aki kora egyik legjobb filmrendezője volt.
Katherine Lester DeMille (born Katherine Paula Lester; June 29, 1911 – April 27, 1995) was a Canadian-born American actress who played 25 credited film roles from the mid-1930s to the late 1940s. The adopted daughter of director Cecil B. DeMille , she was considered Hollywood royalty and was noted for her dark beauty. [1]
O Prémio Cecil B. DeMille é uma distinção honorária dada anualmente pela Associação de Imprensa Estrangeira de Hollywood na cerimónia anual dos Prémios Globo de Ouro. É atribuído individualmente a quem contribuiu de forma significativa ao longo da sua carreira no mundo do entretenimento. A escolha é feita sobre uma variedade de ...
Samson and Delilah (1949) “Samson and Delilah” is a 1949 biblical drama film directed by Cecil B. DeMille and starring Victor Mature and Hedy Lamarr in the title roles. The film is based on the biblical story of Samson and Delilah, and follows the life of Samson, a strongman who is betrayed by his lover Delilah and captured by the Philistines.
27 de may. de 2018 · He was assigned to Bill Herbert , a studio publicist who ignored distributors and exhibitors entirely and marketed DeMille directly to the public. Rather than speak to the ways his films maximized “sales psychology,” his persona now stressed his role as cinematic “legend” and popular mass entertainer.
