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Madame de Montespan was young and up to the challenge—but that kind of blind obedience can’t last forever. Wikimedia Commons. 27. They Partied Hard. Madame de Montespan was game to go along with the king’s high energy, even higher libido, and love of the finer things in life, be that in the form of food, dancing, or parties.
24 de sept. de 2023 · King Louis XIV’s long-term term chief-mistress (maitresse-en-titre) Athénaïs, Francoise-Athénaïs de Rochechouart de Mortemart, Marquise de Montespan (1740–1707) was often called Madame de Montespan or La Montespan. She did not make it through the scandal unscathed.
Françoise de Rochechouart, markýza de Montespan (též paní Montespanová či francouzsky Madame de Montespan, 5. října 1640 [3] [4], zámek Lussac-les-Châteaux – 26. května 1707, Bourbon-l'Archambault) byla francouzská šlechtična a jedna z oficiálních milenek francouzského krále Ludvíka XIV.
18 de may. de 2024 · In her innocence, and in her genuine love for the King, she invited a friend to the hotel Brion: a friend who was sure to entertain him. Athénaïs de Montespan was brilliantly amusing. She was twenty-six, dark-haired, blue-eyed, and endowed with a handsome figure. She was the daughter of Gabriel de Rochechouart, Marquis de Mortemart, Prince de ...
7 de jun. de 2020 · Madame de Montespan ve své pýše vůbec nepostřehla, že z počáteční nevraživosti se králův vztah ke guvernantce proměnil o 180 stupňů. A možná, že si toho naopak všimla, a právě to přispělo k její rostoucí nesnesitelnosti a žárlivosti.
1 de ene. de 2004 · Françoise Athénaïs de Rochechouart de Mortemart, marquise of Montespan, better known as Madame de Montespan, was the most celebrated maîtresse en titre of King Louis XIV of France, by whom she had seven children. Born into one of the oldest noble families of France, the House of Rochechouart, Madame de Montespan was called by some the true ...
Attributed to Henri Gascar (Paris, 1635 – Rome, 1701) Oil on canvas of oval shape. Henri Gascar was a favorite painter of Madame de Montespan. Our portrait presents in its treatment many similarities with the large portrait of Madame de Montespan in her castle of Clagny (Henri Gascar, private collection). We find the same position leaning on ...
