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Hace 3 días · War II German POW camp; The Memphis Belle: A Story of a Flying Fortress (1944), director William Wyler’s documentary about the last World War II mission of the titular plane, followed by the TCM premiere of The Cold Blue (2018), a documentary made from many hours of lost footage from Wyler’s Memphis Belle film; The Best Years of Our Lives (1946), the drama about World War II veterans ...
Hace 2 días · The Road Less Traveled to Freedom. The Memphis Belle: A Story of a Flying Fortress documents the hardships faced by a B-17 bomber crew during World War II. Restored for contemporary audiences ...
Hace 4 días · Someone once said that a B-17 operates on gas, oil, and money. Especially money. A B-17 will easily burn 200 gallons of fuel per hour, plus about 10 gallons of oil per hour. Consumables and wear items cost an estimated $3,000 per flight hour. For each hour a Flying Fortress spends in the air, ten are spent on the ground in maintenance.
Hace 2 días · “The Memphis Belle: A Story of a Flying Fortress” (1944). Wyler, a German-born Jew who rose to the rank of Major in the Second World War, puts the viewer right inside this B-17 bomber, which completed 25 missions in Europe. It was the first combat plane to return to America from the war under its own power.
Hace 4 días · The Memphis Belle: A Story of a Flying Fortress (1944) On Sunday, TCM scheduled this classic William Wyler documentary along with the 2018 documentary The Cold Blue , which used additional restored William Wyler footage and testimony from surviving members of the 8th Air Force to tell the story of the World War II bombing campaign in Europe.
Bad for Each Other (1954) (Noir Alley) The Naked and the Dead (1958) The Dirty Dozen (1967) The Great Escape (1963) The Memphis Belle: A Story of a Flying Fortress (1944) The Cold Blue (2018) Cold Blue: The Making of a War Documentary (2018) (short) The Best Years of Our Lives (1946)
Hace 2 días · There are two ways to do this: Contact the copyright holder directly, or contact the distributor if the distributor has the authority from the copyright owner to grant licenses, to purchase public performance rights or to request permission for a particular public performance use. Takedown request View complete answer on slrc.info.
