Resultado de búsqueda
The Iceman Cometh is a play written by American playwright Eugene O'Neill [3] in 1939. First published in 1946, [3] the play premiered on Broadway at the Martin Beck Theatre on October 9, 1946, directed by Eddie Dowling, where it ran for 136 performances before closing on March 15, 1947. It has subsequently been adapted for the screen multiple ...
A salesman with a sudden passion for reform has an idea to sell to his barfly buddies: throw away your pipe dreams. The drunkards, living in a flophouse above a saloon, resent the idea. In 1912, the patrons of 'The Last Chance Saloon' have gathered for their evening of whiskey to contemplate their lost faith and dreams, when Hickey (Lee Marvin ...
mensaje interno en la página. El repartidor de hielo es una película dirigida por John Frankenheimer con Lee Marvin, Fredric March, Robert Ryan, Jeff Bridges .... Año: 1973. Título original: The Iceman Cometh. Sinopsis: Adaptación de una obra teatral del dramaturgo americano Eugene O'Neill.
Based on the play by Eugene O'Neill, this drama begins as the sad-sack patrons of a New York City bar await the arrival of salesman and drinking buddy Theodore Hickman (Lee Marvin). Known to the ...
- (11)
- Drama
- PG
Other articles where The Iceman Cometh is discussed: John Frankenheimer: The 1970s and ’80s: More successful was The Iceman Cometh (1973), a solid adaptation of the Eugene O’Neill play; Frankenheimer made no attempt to disguise its stage origins, and the drama offered acclaimed performances by March, Robert Ryan, Lee Marvin, and Jeff Bridges.
The Iceman Cometh wurde am 10. November 1973 in den USA uraufgeführt. In Deutschland wurde dieser Film (wohl aus rein kommerziellen Erwägungen heraus) nie in die Kinos gebracht und lief auch nie im deutschsprachigen Fernsehen. Die Bauten schuf Jack Martin Smith, die Kostüme Dorothy Jeakins. Um die Besetzung kümmerte sich Lynn Stalmaster.
The Iceman Cometh represents something of a homecoming for John Frankenheimer, who made his name helming live television dramas in the 1950s, culminating in being the most prolific director of Playhouse 90, which, as the name suggests, were hour and a half works of serious drama, based on plays, novels or sometimes original stories made for the small screen.
