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  1. Milt Jackson. (b. January 1, 1923 - d. October 9, 1999) by Rick Mattingly. The first time vibraphonist Milt Jackson tried to sit in with a bebop band at a club on New York’s 52nd Street, the clubowner wouldn’t even let him in the door. “Dizzy Gillespie had called Charlie Parker up and told Charlie that if I ever came down, he should let ...

  2. nl.wikipedia.org › wiki › Milt_JacksonMilt Jackson - Wikipedia

    Milton (Milt) Jackson ( Detroit, 1 januari 1923 – New York, 9 oktober 1999) was een legendarische Amerikaanse jazz - vibrafonist, die vooral bekend werd met het Modern Jazz Quartet, een van de langst bestaande bands in de geschiedenis van de jazz. De populariteit van dit viertal muzikanten was, aldus Jackson, vooral te danken aan de manier ...

  3. 9 de oct. de 1999 · Milt Jackson. Leader of the Modern Jazz Quartet who also revolutionized the vibraphone with his floating solos, sustained notes, and darting rhythms. Read Full Biography.

  4. Milt Jackson (born January 1, 1923, Detroit, Michigan, USA - died October 9, 1999, New York City, New York, USA) was an American jazz vibraphonist, pianist, composer and bandleader. He played with numerous artists, including Dizzy Gillespie , Charlie Parker , Thelonious Monk , Howard McGhee , Woody Herman , John Coltrane , The Modern Jazz Quartet and many others as well as in his own bands.

  5. Milt Jackson war der Musiker mit dem wärmsten Sound, der dem metallischen Instrument je entlockt wurde. Eine Würdigung zum 100 Geburtstag von Milt Jackson von Marcus A. Woelfle.

  6. Milt Jackson (born January 1, 1923, Detroit, Michigan, U.S.—died October 9, 1999, New York, New York) was an American jazz musician, the first and most influential vibraphone improviser of the postwar, modern jazz era. Jackson began playing the vibraphone (also called vibes or vibraharp) professionally at age 16.

  7. The Milt Jackson Quartet then became the Modern Jazz Quartet, with Percy Heath replacing Brown, and Connie Kay eventually replacing Clarke. The MJQ would become an enduring jazz institution for more than 40 years, with Jackson's blues-drenched solos being a crucial ingredient in their sound.