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  1. 20 de jul. de 2011 · Lucian Freud, né le 8 décembre 1922 à Berlin (Allemagne) et mort le 20 juillet 2011 à Londres, est un peintre et graveur figuratif britannique d'origine allemande. Par son style à la fois réaliste, acéré et presque caricatural, il est considéré comme un des peintres figuratifs les plus importants, et un des plus exemplaires.

  2. Lucian Freud: Portraits is an analysis of the artist as seen through the eyes of those who have been best placed to study him; his sitters. Over a period of two years film-maker Jake Auerbach and Freud’s biographer, William Feaver filmed many of Freud’s subjects, ranging from the late Duke of Devonshire and the now Dowager Duchess of ...

  3. 5 de oct. de 2019 · Self-portraits were chiefly a way for him to experiment with the medium of painting. Freud’s first self-portrait, “Man With a Feather,” was painted in 1943 when he was in his 20s. The Lucian ...

  4. BestellungReproduktion. Lucian Freud (* 8. Dezember 1922 in Berlin; † 20. Juli 2011 in London) war ein britischer Maler. Er war einer der bedeutendsten Porträtmaler des 20. Jahrhunderts. Der Kunstkritiker Robert Hughes bezeichnete ihn 2004 als „Großbritanniens größten lebenden Maler“. Lucian Freud war einer von drei Söhnen des ...

  5. 1 de jul. de 2012 · Lucian Freud is widely considered the greatest portrait painter of the twentieth century. His visceral renderings of people from all walks of life have a painterly and psychological drama that is unparalleled in contemporary art. For much of a century—from the late 1940s until his recent death in July 2011—Freud made the living human presence his subject.

  6. Freud painted many portraits of Kitty during their brief marriage, which ended in divorce in 1952, due to his chronic infidelities. A weariness in the sitter's expression, the deep hollows under her eyes and the self-supporting gesture of the hand under the left breast hint at her discontent, despite this moment of calm.

  7. The mid- to late-1950s marked a decisive shift in Freud’s paintings, when he moved away from stark, flattened portraits and turned to fleshy explorations of the human face. This was partly due to his friendship with the artist Francis Bacon, whom he met in the late 1940s and whose thick, loose style of painting motivated Freud to change direction.