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  1. 17 de may. de 2024 · Camille Saint-Saëns (born October 9, 1835, Paris, France—died December 16, 1921, Algiers [Algeria]) was a composer chiefly remembered for his symphonic poems—the first of that genre to be written by a Frenchman—and for his opera Samson et Dalila. Saint-Saëns was notable for his pioneering efforts on behalf of French music, and he was a ...

  2. Once described as the French Mendelssohn, Camille Saint-Saëns was talented and precocious as a child, with interests by no means confined to music. He made an early impression as a pianist. Following established French tradition, he was for nearly 20 years organist at the Madeleine in Paris and taught briefly at the École Niedermeyer, where he befriended his pupil Gabriel Fauré.

  3. 28 de jun. de 2005 · Masters of the Piano Roll: Saint-Saëns Plays Saint-Saëns.

  4. Saint-Saëns c. 1880 Charles-Camille Saint-Saëns (UK: / ˈ s æ̃ s ɒ̃ (s)/, US: / s æ̃ ˈ s ɒ̃ (s)/, French: [ʃaʁl kamij sɛ̃ sɑ̃(s)] ; [n 1]) (9 October 1835 – 16 December 1921) was a French composer, organist, conductor and pianist of the Romantic era. His best-known works include Introduction and Rondo Capriccioso (1863), the Second Piano Concerto (1868), the First Cello ...

  5. 16 de mar. de 2017 · Camille Saint-Saëns (1835-1921) was a French Romantic composer, pianist, organist, and teacher. Born in Paris on 9th October 1835, Saint-Saëns was a child prodigy. He had lessons with Camille-Marie Stamaty and Alexandre Pierre François Boëly, going on to the Paris Conservatoire in 1848, where he was taught by Fromental Halévy .

  6. Camille Saint-Saëns. Charles-Camille Saint-Saëns ( phát âm tiếng Pháp: [ʃaʁl kamij sɛ̃sɑ̃s]; sinh 9 tháng 10 năm 1835 tại Paris, mất 16 tháng 12 năm 1921 tại Algiers ), còn được biết đến với bút danh Sannois, là nhà soạn nhạc, nghệ sĩ đàn piano, nghệ sĩ đàn organ, nhạc trưởng, nhà phê ...

  7. Accueil. La Société a pour objet de mettre en valeur par tous moyens l’œuvre de Camille Saint-Saëns, tant sur le plan national qu’international, de participer à l’édition de ses œuvres musicales et littéraires, d’encourager et fédérer les travaux de recherche et de diffusion qui lui sont liés.