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  1. Robert Fielding creates works that retell overlooked or forgotten stories to create a stronger future. His works often feature abandoned cars that have been recreated using paint and light, influenced by a long road connecting to the artist’s home in Mimili Community, littered with mutuka katalypa (car wrecks).

  2. www.the-national.com.au › artists › robert-fieldingArtists | The National

    Robert Fielding gives his gratitude to all participants, knowledge-keepers and storytellers past and present involved in this project. All storylines shared in this work belong to Yankunytjatjara Country and have been kept strong by countless generations of Elders and Ancestors who have nurtured and lived them through their knowledge, culture, and language.

  3. Discover and purchase Robert Fielding’s artworks, available for sale. Browse our selection of paintings, prints, and sculptures by the artist, and find art you love.

  4. English bigamist and rake. This page was last edited on 21 June 2024, at 01:44. All structured data from the main, Property, Lexeme, and EntitySchema namespaces is available under the Creative Commons CC0 License; text in the other namespaces is available under the Creative Commons Attribution-ShareAlike License; additional terms may apply.

  5. Henry Fielding (22 April 1707 – 8 ... The Craftsman, against the Prime Minister, Sir Robert Walpole. [9] His patron was the opposition Whig MP George ...

  6. Robert Fielding was the president of the United States of America before, during and after the First Tiberium War. As the leader of an important GDI-friendly nation, Fielding was considered in danger of being targeted by the Brotherhood of Nod. There is evidence to suggest that his home and workplace, the White House, was marked for destruction in Nod's master plan during the First Tiberium ...

  7. 22 de feb. de 2020 · Meet the Artist > Robert Fielding. Saturday 22 February 2020, 2PM to 3PM In a special artist-led talk, hear from artist Robert Fielding about his solo exhibition Routes / Roots. Fielding’s exhibition raises questions about ownership of cultural knowledge and the institutionalisation of sacred objects. Read more