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25 de abr. de 2024 · Faust, two-part dramatic work by Johann Wolfgang von Goethe. Part I was published in 1808 and Part II in 1832, after the author’s death. The supreme work of Goethe’s later years, Faust is sometimes considered Germany’s greatest contribution to world literature.
Loosely connected with Part One and the German legend of Faust, Part Two is a dramatic epic rather than a strictly constructed drama. It is conceived as an act of homage to classical Greek culture and inspired above all by the world of story-telling and myth at the heart of the Greek tradition, as well as owing some of its material to the Arabian Nights tales.
An illustration of two cells of a film strip. Video. An ... Faust. Part two by Goethe, Johann Wolfgang von, 1749-1832. Publication date 1998 Publisher
Loosely connected with Part One and the German legend of Faust, Part Two is a dramatic epic rather than a strictly constructed drama. It is conceived as an act of homage to classical Greek culture and inspired above all by the world of story-telling and myth at the heart of the Greektradition, as well as owing some of its material to the Arabian Nights tales.
In a nearby laboratory Wagner is hard at work. He tells Mephisto, who has joined him, that he is about to create a human being. After some manipulations, a tiny humanoid figure appears in the bottle Wagner is tending. It is Homonculus ("little man"). The tiny figure begins an animated conversation with Mephisto and Wagner.
30 de jun. de 2009 · Part II of Faust is the last work that Goethe finished and it serves as a fitting coda: for who was Goethe but a poet, creator of an erroneous but ingenious theory of color, writer of some of the most popular novels of his day, a astute observer of the Italian culture—a Renaissance man three hundred years after the Renaissance.
1 de ene. de 1998 · Faust. : Johann Wolfgang von Goethe. Yale University Press, Jan 1, 1998 - Drama - 255 pages. Goethe's Faust, Part Two is distinguished by its extraordinary range of allusion, tone, and style. Full of variety of historical scene and poetic effect, the masterpiece is at times satirical, witty, and even broadly comic, at others grand and soaring.
