Resultado de búsqueda
Vincente Minnelli. Vincente Minnelli (Mitte) mit Richard Burton am Set von … die alles begehren (1964) Vincente Minnelli (* 28. Februar 1903 in Chicago, Illinois, als Lester Anthony Minnelli; † 25. Juli 1986 in Beverly Hills, Kalifornien) war ein US-amerikanischer Regisseur. Er drehte zahlreiche MGM -Klassiker der 1940er und 1950er Jahre.
Vincente Minnelli, born in Chicago, was an American stage director and film director, famous for directing such classic movie musicals as Meet Me in St. Louis (1944), Gigi (1958), The Band Wagon (1953), and An American in Paris (1951). An American in Paris and Gigi both won the Academy Award for Best Picture, with Minnelli winning Best Director for Gigi. In addition to having directed some of ...
Vincente Minnelli, American motion-picture director who infused a new sophistication and vitality into filmed musicals in the 1940s and ’50s. His movies included Meet Me in St. Louis, An American in Paris, The Band Wagon, Gigi, Bells Are Ringing, and On a Clear Day You Can See Forever.
6 de abr. de 2024 · Pasión. Si hubiera que buscar una palabra con la que resumir el cine de Vincente Minnelli, no podría ser otra.Ya sea en un alegre y colorido musical, en un melodrama en un pequeño pueblo de la ...
9 de dic. de 2019 · Beginning work at the studio in 1940 under famed musical producer Arthur Freed, Minnelli put his theatre background to use and became best known for his top-tier classics in the musical genre – Meet Me in St. Louis (1944) and An American in Paris (1951). Wholesome but not puritanical, all-American without chest-thumping, and laced with enough ...
Vincente Minnelli (born Lester Anthony Minnelli; February 28, 1903 – July 25, 1986) was an American stage director and film director. For a career nearly spanning almost five decades, he is best known for his sophisticated innovation and artistry in musical films. As of 2024, six of his films have been selected for preservation in the United ...
In his time, Vincente Minnelli was known as a great fantasist. Which is true enough. But the films he made without any fantasy elements whatsoever—like The Clock or The Bad and the Beautiful—are just as hallucinatory as anything in The Pirate or Ziegfeld Follies. Everything is grounded in a complete encompassing vision.
