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^ Holly，Michael Ann（2018年9月5日）。过去的外观：历史想像力和图像的修辞。康奈尔大学出版社。ISBN 9781501725692 - 通过Google书籍。 ^ 一个 b 霍莉，迈克尔·安。“埃尔文·帕诺夫斯基（Erwin Panofsky）的艺术理论的起源与发展”，1981年，《传记素描》。
Michael Ann Holly asserts that historical interpretation of the pictorial arts is always the intellectual product of a dynamic exchange between past and present. Recent theory emphasizes the subjectivity of the historian and the ways in which any interpretation betrays the presence of an interpreter.
Panofsky and the Foundations of Art History. Michael Ann Holly. Cornell University Press, 1984 - Art - 267 pages. No one has been more influential in the contemporary practice of art history than Erwin Panofsky, yet many of his early seminal papers remain virtually unknown to art historians. As a result, Michael Ann Holly maintains, art ...
Michael Ann Holly asserts that historical interpretation of the pictorial arts is always the intellectual product of a dynamic exchange between past and present. Recent theory emphasizes the subjectivity of the historian and the ways in which any interpretation betrays the presence of an interpreter. She challenges that view, arguing that ...
24 de feb. de 2013 · The Melancholy Art (Essays in the Arts) Hardcover – February 24, 2013. Melancholy is not only about sadness, despair, and loss. As Renaissance artists and philosophers acknowledged long ago, it can engender a certain kind of creativity born from a deep awareness of the mutability of life and the inevitable cycle of birth and death.
- Hardcover
- Michael Ann Holly
1 de abr. de 2014 · Michael Ann Holly is the Starr Director of the Research and Academic Program at the Clark Art Institute. Interested in the critical history of art, she published The Melancholy Art this winter with Princeton University Press [Research and Academic Program, the Clark Institute, Williamstown, Mass. 01267, mholly@clarkart.edu].
24 de feb. de 2013 · To consider melancholy in art beyond the limits of despondency, loss, and grief is a refreshing way to induce a different space and energy between the past of the artwork and the viewer's present. In these erudite essays, art historian Michael Ann Holly makes case for works of art--'these beautiful orphans'--that reinvest in melancholia as the ...
