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Edmund Goulding. Director: Grand Hotel. London-born Edmund Goulding was an actor/playwright/director on the London stage, and entered the British army when WWI broke out. Mustered out of the service because of wounds suffered in battle, he emigrated to the U.S. in 1921. He obtained assignments as a screenwriter in Hollywood, wrote a novel, "Fury," in 1922 and directed the film version of it ...
Edmund Goulding (* 20. März 1891 in Feltham, England; † 24. Dezember 1959 in Los Angeles, Kalifornien) war ein britischer Filmregisseur und Drehbuchautor, der in Hollywood arbeitete. Zu seinen bedeutendsten Filmen zählen Menschen im Hotel, Opfer einer großen Liebe, Auf Messers Schneide und Der Scharlatan .
Edmund Goulding’s Dark Victory: Hollywood’s Genius Bad Boy is the first biography ever written about this eccentric genius of early-twentieth-century filmmaking. Goulding (1891–1959) was by turns a writer, producer, composer, and actor, but it is as a director that he made an indelible impression.
Terrace Books, 2004 - Biography & Autobiography - 331 pages. Edmund Goulding’s Dark Victory: Hollywood’s Genius Bad Boy is the first biography ever written about this eccentric genius of early-twentieth-century filmmaking. Goulding (1891–1959) was by turns a writer, producer, composer, and actor, but it is as a director that he made an ...
Edmund Goulding, né le 20 mars 1891 à Feltham, en Angleterre, et mort le 24 décembre 1959 à Los Angeles, est un scénariste, réalisateur et compositeur de musique de film britannique. Biographie [ modifier | modifier le code ]
Edmund Goulding. Edmund Goulding (Feltham, 20 de março de 1891 - Los Angeles, 24 de dezembro de 1959) foi um roteirista e diretor de cinema britânico. Como ator, no início de sua carreira, foi um dos 'Fantasmas' no filme mudo de 1922, Three Live Ghosts, ao lado de Norman Kerry e Cyril Chadwick. Também no início dos anos 20, ele escreveu ...
Edmund Goulding. ' [Matthew Kennedy on Edmund Goulding] His one blind spot in production seems to be the camera...When shooting a scene, Eddie was intent on capturing performers at their best and most truthful, but he left the mechanics of filming to his cameramen...he seemed adept at just about everything.'.
