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ピエール・ボナール（Pierre Bonnard, 1867年 10月3日 - 1947年 1月23日）は、ナビ派に分類される、19世紀から20世紀に活動したフランスの画家。 ポスト印象派 とモダンアートの中間点に位置する画家のひとりで、版画やポスターにも優れた作品を残している。
Pierre Bonnard was a French post-impressionist painter who created 242 artworks, mostly depicting intimate scenes of domestic life, landscapes and still lifes. His use of vibrant colors and expressive brushstrokes influenced modern art movements. Discover his biography, style and influence on Wikiart.org, the best visual art database.
Pierre Bonnard John Rewald, 1948 Paperback, pages Licensing If you would like to reproduce an image of a work of art in MoMA’s collection, or an image of a MoMA publication or archival material (including installation views, checklists, and press releases), please contact Art Resource (publication in North America) or Scala Archives (publication in all other geographic locations).
The artistic legacy of Pierre Bonnard (1867–1947) calls to mind the many dazzling bathing paintings of Marthe, his wife and muse of nearly fifty years, modeling in the bathtub, toweling her ever-youthful figure, or gazing at her nude likeness at her toilette.
Pierre Bonnard (Fontenay-aux-Roses, 3 de Outubro de 1867 — Le Cannet, 23 de Janeiro de 1947) foi um pintor francês. Filho de um chefe de negócios de Ministério da Guerra, e com mais dois irmãos, Bonnard deveria formar-se em Direito, pela Sorbonne, para cumprir o desejo de seu pai. No entanto, depois de dois anos em Paris,1888, inscreveu ...
Pierre Bonnard was a French painter, illustrator, and printmaker, known especially for the stylized decorative qualities of his paintings and his bold use of color. He was a founding member of the Post-Impressionist group of avant-garde painters Les Nabis, and his early work was strongly influenced by the work of Paul Gauguin, and the prints of Hokusai and other Japanese artists.
Pierre Bonnard (* 3. Oktober 1867 in Fontenay-aux-Roses bei Paris; † 23. Januar 1947 in Le Cannet bei Cannes) war ein französischer Maler des Post-Impressionismus. Er ist ein Vertreter des Intimismus und wird ebenfalls zu der Künstlergruppe der Nabis gezählt, welche die Malerei zur Dekoration und zum Kunstgewerbe öffnen wollte.
