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  1. Édouard Manet ( Parigi, 23 gennaio 1832 – Parigi, 30 aprile 1883) è stato un pittore francese, uno dei primi artisti del XIX secolo a dipingere la vita moderna, fu considerato il maggiore interprete della pittura pre- impressionista e fondamentale nella transizione dal realismo . Nato in una famiglia dell'alta borghesia francese con forti ...

  2. Francia, 1832–1883. Impresionismo. Hay excelentes artistas en la historia del arte, y después están los que sin ellos no existiría el arte tal y como lo conocemos. Edouard Manet se incluye en esta segunda categoría. No fue en realidad un impresionista, aunque sin el no habría impresionismo, movimiento que copió su novedosa técnica y ...

  3. Édouard Manet was the most important and influential artist to have heeded poet Charles Baudelaire's call to artists to become painters of modern life. Manet had an upper-class upbringing, but also led a bohemian life, and was driven to scandalize the French Salon public with his disregard for academic conventions and his strikingly modern ...

  4. エドゥアール・マネ(フランス語: Édouard Manet, 1832年 1月23日 - 1883年 4月30日)は、19世紀のフランスの画家。近代化するパリの情景や人物を、伝統的な絵画の約束事にとらわれずに描き出し、絵画の革新の担い手となった。

  5. Édouard Manet was a French modernist painter. He was one of the first 19th-century artists to paint modern life, and a pivotal figure in the transition from Realism to Impressionism. Born into an upper-class household with strong political connections, Manet rejected the future originally envisioned for him, and became engrossed in the world ...

  6. Édouard Manet. “My dear friend,” wrote the artist Édouard Manet to the poet Stéphane Mallarmé in 1874, “Thanks. If I had a few supporters like you, I wouldn’t give a damn about the jury.” 1 The jury to which Manet refers was responsible for deciding the artworks that would, and would not, be selected for the Paris Salon, the most ...

  7. 3 de may. de 2024 · Édouard Manet (born January 23, 1832, Paris, France—died April 30, 1883, Paris) was a French painter who broke new ground by defying traditional techniques of representation and by choosing subjects from the events and circumstances of his own time. His Le Déjeuner sur l’herbe ( Luncheon on the Grass ), exhibited in 1863 at the Salon des ...

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