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  1. Stéphane Mallarmé nació el 18 de marzo de 1842 en París (Francia). Padres Hijo de Numa Mallarmé y Élisabeth Desmolins. Tras morir su madre en 1847, fue criado por sus abuelos. Su hermana María falleció en 1857. Estudió el bachillerato en Sens.

  2. 13 de dic. de 2020 · Stéphane Mallarmé was a relatively obscure English teacher employed by a series of lycées. His evenings were devoted largely to poetry, typically sonnets and other short poems but also the prose poem genre he, along with Arthur Rimbaud (1854-91), inherited from Charles Baudelaire (1821-67) and continued to refine.

  3. While Mallarmé is considered one of the four great French poets of the 19th century, his work is also known for its difficult, multilayered nature. The meaning can often change when one reads the text aloud verses within one’s head. Stéphane Mallarmé died in Vulaines-sur-Seine in September of 1898. Les Mardistes

  4. 6 de jun. de 2023 · Casanier, discret, Stéphane Mallarmé a vécu une vie plus tranquille, à l’exact opposé des poètes et écrivains de sa génération dont il a croisé la route : Rimbaud, Verlaine, Catulle Mendès, Villiers de l’Isle Adam…. Homme d’intérieur, Mallarmé l’a aussi été dans sa pratique poétique : en tant que chef de file du ...

  5. Stéphane Mallarmé (født 18. marts 1842, død 9. september 1898) var en fransk digter. Han var en af hovedfigurerne i Symbolismen. Der er sat musik til mange af hans digte. Og han har også inspireret Claude Debussys Prélude à l'après-midi d'un faune . Mallarmés digtning foreslår en stemning, men den fortællende handling er hyppigt ...

  6. Stéphane Mallarmé was recognized as one of France’s four major poets of the second half of the 19th century, along with Charles Baudelaire, Paul Verlaine, and Arthur Rimbaud. Much of his poetry was acknowledged to be difficult to understand because of its tortuous syntax, ambiguous expressions, and obscure imagery.

  7. 4 de abr. de 2016 · Mallarmé’s revolution arrived in an outwardly conservative guise. Many of his poems take the form of sonnets, and many employ the twelve-syllable alexandrine, the meter of classical French tragedy.

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