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  1. www.halgalper.com › articles › compingComping | Hal Galper

    Comping Official Website for Harold "Hal" Galper, reknowned jazz pianist, composer, arranger, bandleader, educator, and writer.

  2. Forward Motion Fingerings Official Website for Harold "Hal" Galper, reknowned jazz pianist, composer, arranger, bandleader, educator, and writer. Home 1 On 1 With Hal

  3. 23 de mar. de 2000 · Widely respected and influential as a pianist, the 69-year-old Jamal is not usually put on the same pedestal as Ellington, et al. Sure, Jamal’s 1958 album, Ahmad Jamal at the Pershing, stayed on Billboard’s album chart for 108 weeks, going as high as No. 3.

  4. www.halgalper.com › category › hal-galperHal Galper | Hal Galper

    Hal Galper is a startling pianist, who was a post-bop stylist, now uses the rubato method with a percussive denseness to restructure recognizable tunes. As Galper indicates in the liner notes to this release: “for the most part we’re trying to play ‘free’ on structures, a way of playing developed during my six-year apprenticeship with Sam Rivers”.

  5. 20 de oct. de 2020 · Galper began playing classical piano as a child, eventually turning to jazz and the Berklee School of Music in 1955. He took in the grandeur of piano genius in the 1950's, spearheaded by the likes of Bud Powell and Ahmad Jamal. "I started out with George Shearing, then John Lewis, then I fell in love with Red Garland.

  6. Jazz pianist, composer, and educator Hal Galper is among the finest post-bop performers, known for his fluid solo performances and work with icons like Chet Baker, Phil Woods, and the Brecker Brothers. An East Coast native, Galper first came to the public's attention playing with Baker's quartet in the mid-'60s before launching his own career ...

  7. www.halgalper.com › articles › half-timeHalf-Time | Hal Galper

    The half time technique is most clearly demonstrated by a stride pianist’s left hand. It is the only way to successfully execute the stride. As when learning anything new, it will take time and practice to get used to this new and unfamiliar perception of time.