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  1. While the Civil War rages on between the Union and the Confederacy, three men – a quiet loner, a ruthless hitman, and a Mexican bandit – comb the American Southwest in search of a strongbox containing $200,000 in stolen gold. Sergio Leone. Director, Screenplay, Story. Luciano Vincenzoni. Screenplay, Story.

  2. 3 de dic. de 2014 · The surprise is that it goes beyond the traditional western, as it turns out to be a powerful anti-war song, as the carefully crafted scenes of the Civil War show, in which that, unique and elaborated moral reflections about war. Also surprising is the care that the production gives to all the details of the war, which go beyond the usual ...

    • 179 min
    • 204.9K
    • vikas1510
  3. Clint Eastwood portrays the invincible "Man With No Name" in lethal pursuit of $200,000 in Confederate money alongside Lee Van Cleef and Eli Wallach in this ...

  4. Synopsis. In a desolate ghost town during the American Civil War, bandit Tuco Ramirez ("The Ugly," Eli Wallach) narrowly shoots his way past three bounty hunters to freedom, killing two but only badly wounding the third. Miles away, Angel Eyes ("The Bad," Lee Van Cleef) interrogates a former soldier called Stevens (Antonio Casas) about a ...

  5. When Joe's shot at the noose goes awry during one escapade, a furious Tuco tries to have him murdered. The men re-team abruptly, however, to beat out a sadistic criminal and the Union army and find $20,000 that a soldier has buried in the desert. Western 1967 2 hr 58 min. 97%. 15+.

  6. The Good, the Bad and the Ugly: Directed by Sergio Leone. With Eli Wallach, Clint Eastwood, Lee Van Cleef, Aldo Giuffrè. A bounty hunting scam joins two men in an uneasy alliance against a third in a race to find a fortune in gold buried in a remote cemetery.

  7. 3 de ago. de 2003 · Clint Eastwood, looming large in "The Good, the Bad and the Ugly." A vast empty Western landscape. The camera pans across it. Then the shot slides onto a sunburned, desperate face. The long shot has become a closeup without a cut, revealing that the landscape was not empty but occupied by a desperado very close to us.