Yahoo Search Búsqueda en la Web

Resultado de búsqueda

  1. Hace 2 días · On the death of his uncle, Charles James Fox, Lord Holland was introduced into the Cabinet as Lord Privy Seal; but the strength of the Whig portion of the Government had then departed, and the only measure worthy of notice in which his lordship co-operated after his accession to office was the Bill for the Abolition of the Slave Trade.

    • Charles James Fox1
    • Charles James Fox2
    • Charles James Fox3
    • Charles James Fox4
    • Charles James Fox5
  2. Hace 5 días · Charles James Fox, elected a freeman in 1780, stood at the same election, at the invitation of a local man, John Chubb, and representing opposition to Lord North. Fox himself took no part in the campaign, but the election of North as a freeman in 1782 was evidence of the continued strength of North's supporters in the town.

  3. Hace 3 días · In one of the bed-rooms is a portrait of Charles James Fox, when an infant. Over the doors of the gallery are the arms of Lord Holland before he was created a peer (fn. 43) , and those of his Lady, as Baroness of Holland (fn. 44) , which fixes the date between May 1762 and April 1763.

  4. Hace 3 días · The great figures of reformist Whiggery were Charles James Fox (died 1806) and his disciple and successor Earl Grey. After decades in opposition, the Whigs returned to power under Grey in 1830 and carried the First Reform Act in 1832.

  5. Hace 5 días · Similarly, the progressive Whig Charles James Fox is misidentified as a ‘radical’ (p. 52). At one point Inglis seems to suggest the existence of a spurious reform act in 1906, between Gladstone’s act of 1884 and the Representation of the People Act of 1918 (p. 77).

  6. Hace 4 días · Museums exhibiting Charles James Fox Artworks made in year 1899 All 7 paintings from Charles James Fox

  7. Hace 3 días · "Killing Me Softly with His Song" is a song composed by Charles Fox with lyrics by Norman Gimbel. The lyrics were written in collaboration with Lori Lieberman after she was inspired by a Don McLean performance in late 1971.