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Hace 21 horas · Art in the Florentine Mannerism of the 16th century and Agnolo Bronzino, between religious and allegorical painting, as well as portraits with elegant and el...
- 1 min
- Dante Nevante
Hace 5 días · The portrait is a manifesto of flawless elegance by Agnolo Bronzino, a court artist capable of expressing a timeless painting with an almost manic technique. Her dress in very fine brocade and her hairstyle show both the magnificence and the rigour of Spanish fashion at the time of Charles V of Habsburg, the great King of the 16th ...
Hace 5 días · Agnolo Bronzino. Sixteenth-century writings on the ‘Life of Saint John’ expand on the two children and their embraces upon meeting, recognising each other as carriers of a shared fate and martyrdom. Bronzino’s depiction, however, is dominated by Jesus’ deep slumber, over whom little John is gently bent in order to place a ...
Hace 3 días · Tuvo la misma sensación al ver “El descenso de Cristo al limbo” de Bronzino. Esta capacidad de autopercepción y describir con precisión lo que experimentaba incluye la observación de que “los olores agradables desencadenaban un debilitamiento de mi pierna y brazo izquierdo y la tendencia de caer hacia ese lado”.
Hace 21 horas · Bronzino‘s "Portrait of Cosimo I de‘ Medici," a masterpiece of Mannerist portraiture; Vasari‘s frescoes in the Apartment of the Elements, celebrating the life of Duke Cosimo I; These works and many others make the Palazzo Vecchio a must-see destination for art lovers and history buffs alike. Legacy and the Palazzo Today
Hace 5 días · While writing sewage-steeped riff after sewage-steeped riff, Bronzino says his aim was to craft music the way horror film directors craft their own masterpieces, injecting well-timed scares, measured intensity and a nightmarishly evil atmosphere. But only where appropriate, and only where they will be the most effective.
Hace 4 días · Lucrezia de’ Medici (1655-1665) by Bronzino; Bronzino, Public domain, via Wikimedia Commons. Betrothed and later married to Alfonso II, Duke of Ferrara, in 1558, Lucrezia’s move to Ferrara represented a continuation of the Medici’s influence beyond the borders of Florence. Her life in Ferrara, however, was reputedly short and tumultuous.
