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Hace 5 días · Abigail Cruttenden (Lady Bracknell), Rumi Sutton (Cecily), Robin Morrissey (Jack), Parth Thakerar (Algernon), Phoebe Pryce (Gwendolen) (Imagen: Johan Persson) El director Josh Roche ha evitado todos los posibles obstáculos al llevar The Importance of Being Earnest al Royal Exchange, lo que resulta en una producción que es una celebración contemporánea de Oscar Wilde.
Hace 1 día · Abigail Cruttenden & Phoebe Pryce as mother and daughter, Lady Bracknell & Gwendolen. As Gwendolen, Phoebe Pryce serves a distinct air of Fleabag. Pryce is hilariously uptight as she crack’s under the pressure of her mother’s comedically heightened snobbery (laid upon her with aplomb by Abigail Cruttenden’s stylish yet brutal Lady Bracknell).
Hace 5 días · Abigail Cruttenden (Bracknell), Rumi Sutton (Cecily), Robin M (Jack), Parth T (Algernon), Phoebe P (Gwendolen) This is an adaptation of Earnest that sees the millennial Instagram cohort as the ...
Hace 1 día · The brilliant cast features Parth Thakerar as Algernon Moncrieff, Robin Morrissey as Jack Worthing, Phoebe Pryce as Gwendolen Fairfax, Rumi Sutton as Cecily Cardew, Abigail Cruttenden as Lady Bracknell, Ian Bartholemew as Chasuble, Emma Cunniffe as Miss Prism and James Quinn as Lane/Merriman. The creative team for THE IMPORTANCE OF BEING ...
Hace 5 días · The arrival of Lady Bracknell (Abigail Cruttenden) leads to the chaotic revelation of Jack’s true identity, both dramatic and hilarious in equal measure. There’s a wonderful surprise in the last half of the performance, but all I will say is: muffins. The Importance of Being Earnest runs until 20th July at The Royal Exchange Theatre.
Hace 5 días · Abigail Cruttenden’s wonderfully humorous playing of the fearsome Lady Bracknell cries out for a conventionally Victorian staging. Despite its great many shortcomings, this Earnest still just about manages to be an enjoyable night out.
Hace 5 días · Read also: Early Doors star on the magic of Oscar Wilde. The character of Lady Bracknell looms large in any production of this play and Abigail Cruttenden's waspish interpretation is both brutal ...
