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  1. Hace 5 días · 30 May 2024. Tickets are now on sale for The Griffin Catalyst Exhibition: Monet and London. Views of the Thames (27 Sep 2024 – 19 Jan 2025) at The Courtauld Gallery. Claude Monet (1840-1926) is world renowned as the leading figure of French Impressionism, the movement that changed the course of modern art.

  2. Hace 6 horas · The Courtauld Institute of Art, Vernon Square, London, 20 June 2024. Organised by Zoë Dostal and Isabel Bird. From the 16th century to the present, drawing the human body from life has remained a mainstay of Western institutional art practice. Despite significant shifts in the aesthetics, media, and purpose of art over the last five hundred ...

  3. Hace 4 días · Taking Pierre-Auguste Renoir’s La Loge (1874) from as its centrepiece, Renoir and the New Era explores the Impressionists in the late 1900s, through refocusing attention on their position as agitators and anarchists outside of the established art system.

  4. Hace 3 días · Conservation is an interdisciplinary field which brings together art history, fine arts and natural sciences, and The Courtauld specialises in the conservation of wall and easel paintings. On Thursday 29 July, 12:00 – 13:00 (BST), join Austin Nevin, Head of Conservation, and Aviva Burnstock, Professor of Conservation, for an online ...

  5. Hace 1 día · Save to my RSA. For Pride Month 2024, we're celebrating our Fellows' and collaborators' impactful work supporting LGBTQ+ communities, from providing vital resources to fighting for human rights and preserving queer history through art and education. Read more about these inspiring individuals and their amazing work below.

  6. Hace 3 días · The Courtauld Institute, Vernon Square, London, Jun 20, 2024 Zoë Dostal , Columbia University From the sixteenth century to the present, drawing the human body from life has remained a mainstay of Western institutional art practice.

  7. Hace 5 días · Katie Scott is professor emeritus at the Courtauld Institute of Art, London. Her current interests focus on questions of ornament, technology, and the city in the field of early modern French art and architecture. Hannah Williams is senior lecturer in the School of History at Queen Mary University of London.