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  1. Hace 3 días · Dorothy Leigh Sayers ( / sɛərz / SAIRZ; [n 2] 13 June 1893 – 17 December 1957) was an English crime novelist, playwright, translator and critic. Born in Oxford, Sayers was brought up in rural East Anglia and educated at Godolphin School in Salisbury and Somerville College, Oxford, graduating with first class honours in medieval French.

  2. Hace 4 días · Gemma M. May 24, 2024. This post contains spoilers for Gaudy Night, The Search, and Middlemarch. Earlier this month, Alan Jacobs wrote an intriguing post about C. P. Snow’s novel The Search and its role in Dorothy L. Sayers’ masterpiece of a mystery novel, Gaudy Night. Jacobs is writing a book on Sayers, which I look forward to reading.

  3. Hace 1 día · Title: The unpleasantness at the Bellona ClubAuthor: Dorothy L. Sayers

    • 543 min
    • AudioBiblia
  4. Hace 3 días · academic tradition, practices such as Socratic dialogue, the use of primary sources and direct instruction, and the ideas of 20th century figures including C.S. Lewis, Charlotte Mason and Dorothy L. Sayers. Any given example of classical education will combine one or more of these ideas and practices in some way.

  5. Hace 1 día · Three-quarters of a century ago, Dorothy L. Sayers compiled the classic anthology The Omnibus of Crime, a definitive collection of short fiction that brought together crime and mystery works from the Apocryphal Scriptures to whodunits from the 1920s.

  6. Hace 6 días · All three of them in one way or another have a lot to say about the social concerns of their own era — though while Milton wrote extravagantly confrontational political pamphlets and Sayers wrote (rather less polemically) about highly contentious social questions, Malick has approached our current common life wholly through filmmaking, and especially his three movies with contemporary ...

  7. Hace 1 día · Death in Captivity. By Michael Gilbert. Michael Gilbert is one of the unsung heroes of British crime writing, the author of gently witty but hard-edged crime novels that span the gap between hardboiled US crime and the UK’s cozier version. Death in Captivity (originally published in 1952) is a perfect summary of his style.